This is one of those weird times when I wish star-rating disappeared because I don’t think I’ll ever feel completely comfortable with any rating I might give this book.
I originally gave it 4 stars,
as I’m writing this now I think I want to leave out the star-rating completely and just use words instead for once. By the time I finished this review I feel like I want to give it 2,5 stars or something?? So I’m going with 3 official stars because despite my rant I mostly enjoyed reading this.
A few notes before you head into this review: most of the things I write are aspects of this book that I didn’t like. It’s much easier to point those out and rant about them than talk about the things I did like. I don’t think it’s just me, I think it’s a human condition to focus a lot more on the negatives than the positives. So if you don’t want to read anything negative about this book, leave now for your own sake, but know that I did overall like this book. I’ll point out the things I subjectively didn’t like and the things I think are objectively kind of shitty. Also, my tastes have changed a lot in the past year, so if you see my ratings for SJM’s books (they were all five stars at the time I read them) keep in mind that they might not necessarily be true anymore if I re-read those books now.
I think my strengths as a reader and reviewer don’t lie in judging (and summarizing lol) plots, so I’m going to leave it to other readers to do so. All I can say is that I think the plot made sense as a whole. There some slightly dull parts, and especially the beginning at the Spring Court was rather flat. I think we all expected a lot more drama there, and there wasn’t much of it. A lot of the plot was about preparing for war and discovering things/people/creatures that could come in handy once war started. I think some things could have been handled better.
I loved how some things were downright creepy, like Bryaxis, the Bone Carver and Weaver’s backstory, the Ouroboros, Amren’s story…until they weren’t. Come to think of it, her books (I’m extending this to ToG as well) are full of things that are creepy until they’re “humanized” or somehow made less scary. I do like this aspect most of the time but I feel like she might be overusing it a bit. I’d like some things to stay creepy for once.
As for the ending, it made me really emotional in a couple of points. A lot of how the war played out was very plot-device-y, but I’m not complaining about that. And as much as I’m overall happy with the ending, it didn’t seem very realistic.
There’s also a lot of minor loose ends, and I guess those will be addressed in the next books, but I appreciate that this series feels over and the next books will focus on different characters and not Feyre and Rhysand anymore. I think it’s really easy to drop this series now if you’ve been disappointed by it, and I appreciate that she didn’t end with a cliffhanger that would attract more readers to the next book.
As for me, I think I will continue reading this series, despite everything. I really care about the characters and I admit I’m curious about the world and how certain things will come into play (also I’m hoping at some point we’ll see some clear sign of how this and the ToG worlds connect, because afaik SJM said they are connected).
I think SJM writes character really well…for a maximum of 2-3 books. She excels at secondary and side characters (though not in this book so much), but when it comes to MCs she can’t keep them up for more than a couple of installments. Their arcs and development are basically solved, in the case of this series, with ACOMAF.
I still really liked everyone, even when I don’t agree with things they do (see: Mor). If it wasn’t for the characters, I would have probably DNF’d this book pretty early. I only wanted to finish it because I needed to know how certain relationships would (or wouldn’t) develop, and that makes up for most of the disappointment I feel towards this book.
This was partially a mess.
Friendships are very well done in all her books. One thing I’ll always applaud is her way or portraying female friendships in all her books. There’s not enough of that in popular books and it’s such an important thing to have when so many books focus on girls and women being against each other.
However, the romantic relationships kind of sucked, and the problem lies in her writing (which I’ll address more in depth below).
SJM tries to build what she hopes is unresolved sexual tension while doing exactly the opposite. The constant (not) “sexy” comments, the innuendo…they worked the opposite of how SJM intended for them to work. She’s hoping to create chemistry between the characters, but I see none. Literally none. I haven’t re-read ACOMAF, so I don’t know anymore if this applies for that book as well, but here I only knew that Feyre and Rhys had to be a pair because they’re mates etc etc but I saw none of the chemistry and mutual understanding that makes me ship the characters hard. We’re told many times how awesome Rhys is, or maybe I should say that it’s always thrown in our faces. Well, I prefer discovering it for myself by being shown, thank you.
SJM can handle the “get together” part of a romantic relationship pretty well, but she fails at portraying established relationships in an entertaining way. She uses sex as the only way to “keep the ship alive” and entertain the reader when it’s clear that a couple is endgame, and she fails at that.
I don’t really know in what section of this review this should go, but…the sex scenes. The *inhales* sex scenes *exhales*. Just…no. They add nothing to the story. They’re gross. Literally every fanfiction smut I’ve read is better than this. Stop devouring or feasting on people. That’s cannibalism. In general, just stop with all the animalistic language, the purring and shit.
Also I think this is still being published as YA? Which is so wrong. I don’t have ANYTHING against sex in YA books, but it needs to be handled properly. By all means, have a semi-explicit sex scene. But write it delicately. Write it in a way teenagers can identify themselves with. This is not it. Imagine being 16 or 17 and reading this, being told that sex is always animalistic and dirty and can happen literally at any given moment, nevermind that you’ve just killed and seen people being killed in battle merely minutes ago. Seeing weird metaphors being used instead of calling genitals for what they are. How do you not get grossed out? How do you not get scared/disgusted by sex? Hell I’m in my twenties and even I got grossed out.
I’m really sad that SJM chose the path of adding smut to every book she writes since ACOMAF. I’m all for sex-positivity but writing smut doesn’t necessarily mean that. If you do write it, it needs to be well written. This is by no means it. It’s self-indulgent, it’s pure fanservice and I worry about the view of sex it gives younger people.
I definitely grew a lot in the past year as a reader and as a reviewer, and there’s nothing that proves it better than reading an author you used to think was perfect and finding her writing mediocre at best. Wow. More than that, There’s a few things that she definitely used to not do before, and now she does. Like the “no question mark” policy she started to adopt in EoS.
Here’s the thing: stop writing questions without a question mark. You’re not on twitter or tumblr. If you want the question to have a certain feel to it, say, “X said in a flat tone” or something like that. Most of the time, you’ll find that you don’t even need to do that. Readers are intelligent beings and can pick up a mood from the context without you constantly feeding them every.single.thing.
Another thing that she does the whole freaking time is this structure:
verbless sentence + … + sentence referring to the first sentence
Such a structure…that’s only okay once in a while, not every single page (<– see what I did there?)
She also trails off with a lot of her sentences, especially when explaining or pointing out things.
And that’s another problem. She explains and describes too much. She leaves almost nothing to the reader’s imagination, which is also wrong when using a first person PoV. If you pay attention, you’ll see that Feyre seems to describe the faces and expressions of everyone in a room, while also saying that she keeps her gaze upon one single character. Uhm, do you have eyes behind your head, Feyre? How does that work exactly? Well, it doesn’t.
Something that seems to annoy a lot of people are words like “mate” and “male/female”. I don’t find them particularly appealing, but I’ve just accepted that that’s what I’m going to get whenever I read a SJM book. You can find the whole concept of mates stupid or ridiculous I guess, or you can find it beautiful and romantic. I’m right in the middle, in that I don’t really care about it one way or another. I just accept it as part of the world building, like the fact that Fae and magic and other creatures exist, and move on with my life. But I do agree that the word “mate” was often used as a substitute for Rhys’s name when using it wouldn’t even have been a repetition, thus making it really unnecessary. As for male/female, it kind of makes sense because she seems to keep “man” and “woman” for humans, so she needed different words for Fae. I don’t know, it’s not my favorite thing either but I can see how it makes sense.
That’s it for my review, but I want to discuss the LGBT+ REPRESENTATION in this book. I won’t hide anything under spoilers in this section, so if you don’t want to find out about certain characters’ sexuality, stop reading right now.
It’s clear that SJM listened to readers when they wished for more lgbt+ representation. There are a few different points and I hope to touch them all in this review. I’ve been much slower than basically everyone else in reading this book so I guess I’m late to the party, and I didn’t read any discussions while I was reading the book because I wanted to go in the book completely blind. Still, I managed to gather what the main discussion points were:
➻ Is this book acephobic?
I don’t think it inherently is, but if ace people have found this particular sentence
perhaps any sort of physical passion had long ago been drained away, alongside their souls.
harmful, I respect them and their feelings and I’m in no position to tell them they’re wrong. But, from a strictly rational and linguistic point of view, I do not think that that sentence implies a correlation between being soulless and being on the ace spectrum.
➻ Is there LGBT+ representation in this book?
Yes, there is: one secondary character, three side characters and two “barely there” characters are on an LGBT+ spectrum.
➻ Is the LGBT+ rep good?
For the most part, I think it is. I mostly liked how, except for a secondary character, there seemed to be no issue with the fact that someone is gay/lesbian/bi. In both this and the ToG world, same sex relationships are never frowned upon, nobody has anything against anyone for wanting to have sex with whichever gender they want to have sex with. The only problem, that only the secondary character faced, seems to arise when someone is expected to bear children because they need an heir for political/diplomatic reasons.
There is, however, one side character whose sexuality is handled really poorly. Helion, High Lord of the Day Court, is pan/bisexual, and apparently the only way that SJM thought of to show that he likes both (or all) genders, is to have him hit on every single character present at that moment, with very NOT subtle innuendos and straight-up invitations to a threesome/orgy. Right, because bisexuals don’t face enough stereotypes from both straight and homo people, let’s portray them as people who are always horny and always want to have sex with both genders, PREFERABLY at the same time! *rolls eyes* (To be honest, the always-horny seems to be a flaw in SJM’s character description, no matter if straight or bi).
This was honestly really disappointing and I couldn’t believe my eyes when I read that part. It’s truly the only harmful part of this book that I could detect and I freaking hate it. How did nobody tell SJM she needed to edit that whole thing? It wouldn’t have taken much and she could have spared bisexual people yet another disappointment and awful representation.
However, I quite liked how the “coming out” of Mor was handled. As I said before, she seems the only character whose coming out was tough, but it made sense if you’ve read it. I’m not sure if it continued to make sense for five hundred years, and I’m really sad because she treats poor Azriel like shit because she can’t bring herself to being honest with him. The thing is, I don’t have to like everything she does, because I accept it as a (pretty big) character flaw. But flawed characters are my favorite kind of characters, so I still really like her. I think it’s pretty clear that SJM changed Mor’s sexuality between ACOMAF and ACOWAR to adapt to her readers’ demand, so I applaud her for that. I also like that it’s Mor, who is always portrayed as very feminine, to be the one who likes girls more than guys. A lot of people complained that it should have been Amren “because of her physical features”. People, do you even think before you speak/write? Geez.
(Also, I’ve seen someone confused about Mor’s exact labels… I think the terms that would best apply to her would be “bisexual homoromantic”, in case anyone was wondering and/or identifies with Mor’s sexuality but didn’t know the exact words for it. Of course, this is what I got from reading it, but I think it should be pretty accurate.)
➻ “I’m so pissed!!!1! My ship sunk because one character is on the LGBT+ spectrum!!!1!1!!!”
🙂 deal 🙂 with 🙂 it 🙂
Do you know how many ships sink daily because a character is (or usually both characters are) straight? Yeah. So just be sad but don’t take it out on the LGBT+ representation or on the bi character.
Well that was long. It seems that I can either post no reviews at all or one really long-ass one with no in-between.
Anyway, I’d love to hear everyone’s opinion on this book, especially regarding the discussion part!