Hello there! Let’s postpone The Talk about me technically still being on blog hiatus (it’ll end soon though, I promise!) for another time, because today I am so excited to talk about a new upcoming comic by quite literally my favorite author ever, C.S. Pacat, and Johanna the Mad, an amazing artist whose fanworks have always left me speechless.
Particularly I want to talk about the importance it will have in the queer community. I fully believe that the comparison with Yuri!!! On Ice and other queer-positive works like Check, Please! is 100% accurate.
Why am I saying this with such confidence when I obviously haven’t read it yet, since it comes out in November? Two reasons:
⚔ I fully trust C.S. Pacat to stay true to her words and deliver
“something that’s very joyously and unabashedly queer. That’s very important to me.”
Knowing her and knowing her previous work and the other fictional works (like Y!!!OI) that she enjoys, I know that she isn’t just saying that in order to appeal to a certain audience. This is something that might have been scary to publish one year ago, when the queer world hadn’t been quite literally shaken by Yuri!!! On Ice yet. But now we know that the (queer and not queer) world is ready for something that doesn’t have to justify itself in order to exist. Not only won’t there be any queerbaiting, there won’t be “sad gays” either.
⚔ This premise brings me to my second point. A comic is something that will appeal to readers and non-readers alike. We in the bookish community sometimes tend to forget that there are many people who don’t read as much as we do, and that’s fine. Many of those people are teens that maybe are more into anime and manga, and they’ll be given access to something that might -might!- eventually draw them into the bookish world. Even more importantly, these are young people who more often than not are just coming to terms with their sexuality. These are teens and young adults who have been at best queerbaited by shows like Free! and Haikyuu!!, and at worse they’ve been shown that if you’re queer you are someone expendable, someone who will die before the straights can find a solution to a zombie-riddled world or you’re simply there to allow a straight narrative to reach its positive outcome, or you’re there to be the gay stereotype that the audience will laugh at.
This won’t happen with Fence. (Young) people will have a positive queer representation like they’ve had in Yuri!!! On Ice, and being queer won’t be the main subject of the work. They’ll be shown that you don’t have to only be your sexuality, you can be an athlete, you can be anything and be queer and be valid and if you don’t understand the importance of that then maybe it’s really time for you to think about your straight privilege.
Now, focusing on the rest of what we know so far, this story will have amazing characterization. Again, you ask, how do you know this? Because that’s what Pacat does. And if you haven’t read Captive Prince and you don’t trust me on my word, read this:
I’m working with a really great épée coach in Australia to choreograph all the fight scenes. And I’ve been working with him on the fencing characterization of each boy, so they’ll all have different strengths and weaknesses that will evolve throughout the narrative.
…in “Fence,” especially because I was so invested in the accuracy of the fencing, there’s no smudging allowed.
These are NOT the words of someone who doesn’t think their characters through. The characters’ personalities will reflect in the way they fence and act outside of fencing, like in all the best sports anime/manga/fiction.
This is already so clear from just a raw of one page alone:
“But will it be diverse?” you ask. Yeah!
…having a diverse cast was very important to me. When you’re writing heroic narratives it’s very important to make sure that you have a story where everyone can feel as though they can be a hero.
Because this is a comic, obviously another really important thing to look forward to is the art. Johanna the Mad is an amazing artist (see pictures above) who has more than once impressed me (and many others, including C.S. Pacat) with her art.
Something else I find amazing is that both writer and artist come from the online world. They not only know the community they’re addressing, they’re fully part of it and that is one more reason to trust them.
So really the question is, what’s there NOT to look forward to? (the answer is: everything about this comic should make you as excited as I am)
And more importantly, is it November yet?