I was sent this book as an advanced copy by the publisher via Edelweiss and libro.fm for reviewing purposes, but all opinions are my own.
Chloe Brown is a chronically ill computer geek with a goal, a plan, and a list. After almost—but not quite—dying, she’s come up with seven directives to help her “Get a Life”, and she’s already completed the first: finally moving out of her glamorous family’s mansion. The next items?
• Enjoy a drunken night out.
• Ride a motorcycle.
• Go camping.
• Have meaningless but thoroughly enjoyable sex.
• Travel the world with nothing but hand luggage.
• And… do something bad.
But it’s not easy being bad, even when you’ve written step-by-step guidelines on how to do it correctly. What Chloe needs is a teacher, and she knows just the man for the job.
Redford ‘Red’ Morgan is a handyman with tattoos, a motorcycle, and more sex appeal than ten-thousand Hollywood heartthrobs. He’s also an artist who paints at night and hides his work in the light of day, which Chloe knows because she spies on him occasionally. Just the teeniest, tiniest bit.
But when she enlists Red in her mission to rebel, she learns things about him that no spy session could teach her. Like why he clearly resents Chloe’s wealthy background. And why he never shows his art to anyone. And what really lies beneath his rough exterior…
If you like romance you just can’t go wrong with a Talia Hibbert book!
Sometimes you are so excited about a book you actually have to postpone reading it because you know it’ll be the perfect read for you in a different moment of your life. Well that’s what I did and because of *gestures vaguely at the state of the world* I decided now was the perfect moment to finally read it, and read it I did.
I listened to most of it and then read a few parts on my digital ARC. I have to admit I didn’t love the narrator and the steamy parts are just too awkward for me to listen to, but oh they are excellent otherwise, like in all the other author’s books.
What I love most about Talia Hibbert’s romances is the diversity and how casual and honest the characters are about their marginalization and/or issues they faced in their life. Here we have a Black female protagonist with chronic pain and fibromyalgia and everything about how she talked about how this affects her daily life was so honest and effortless.
Something else that is rare to see was the male character talking about his abusive ex. I think it’s important to show that men can be abused by their partners and can heal from it. Also: therapy! Therapy is good!!! Therapy for everyone!!!! I don’t necessarily believe that IRL men can be like Talia Hibbert’s male characters, but oh do I want to believe they can be.
And speaking of the actual romance: it was swoony and sexy as always, and I appreciated that the more “dramatic” moments were resolved quickly (at least compared to previous TH romances I read) because I hate reading those parts.
I am excited for the next book (where the main female character is bi/pan!!) and as always I am in awe of Talia Hibbert skills and recommend her to everyone.
I was sent this book as an advanced copy for reviewing purposes, but all opinions are my own.
Prepare to dip your toe into the biggest adventure of your life, Cancer. There’s romance in the air, and it smells deliciously salty.
Dumped by the fifth girl in two years and abandoned by his best friends, Reid Glover is alone and in need of a home.
Desperate, he interviews to become a live-in manny aboard widowed Sullivan Bell’s yacht, the Aquarian.
The job? Not to look after thirteen-year-old Joanna. No, this child-mastermind needs Reid to befriend her dad, urge him to participate more in family life, encourage him to date, oh, and become his closest confidant and help him unleash his bottled emotions.
At least he’s not entirely out of his depth.
Okay, so he may have a slight aversion to the ocean. And possibly attract more than his fair share of misadventure.
But he is a pro at crying.
Watch out, Sullivan. Reid is on his way with a family-sized carton of tissues. He will help Sullivan through his fears. Will help him find love again.
Will absolutely not fall for him in the process . . .
Caution, Cancer, how long will you fool yourself?
~ ~ ~
Cancer Ships Aquarius (Signs of Love #5) is an MM opposites-attract romantic comedy featuring a misadventure prone manny and a blunt widower.
More wit, banter and bad puns – and even more heart-stopping slow burn!
Can be read as a standalone.
Tropes: slow burn, will-they-or-won’t-they, opposites attract, 10 year age gap, manny loves widow, Genre: New Adult, light-hearted contemporary gay romance
I absolutely loved this! It had been a while since the last Anyta Sunday book I read but I’m glad she’s back and in great shape. This whole series is so funny and both light-hearted and deep when it needs to be and I’m always in awe of the author’s creativity and how she can come up with so many different situations and scenarios.
This book had a lot of tropes I absolutely adore including single parent, living together and being an emotionally oblivious bisexual. I had so many moments where I was laughing to the point of tears and to be honest that’s all I ask when I’m reading a romance book. Okay, not only that, but I also got everything else I wanted, so I literally can’t have any complaints.
I also really liked both the cameos of previous couples and the presence of two queer women (even though they were mostly present on the phone more than physically), which is something I kind of miss in this series and in m/m romance in general. I’m actually really really hoping for a novella of their relationship because that would be so cute to read.
I know this is a short review but I really don’t want to say anything else about the story and couple because I believe it’s best to just start reading without knowing much about it, I can only recommend this book and the whole series wholeheartedly!
Rep: bisexual MC, gay LI
TWs: loss of a spouse in the past, grief, mentions of homelessness and child abandonment, alcohol, accidental alcohol consumption by a minor
In a ruined, devastated world, where the earth is poisoned and beings of nightmares roam the land…
A woman, betrayed, terrified, sold into indenture to pay her village’s debts and struggling to survive in a spirit world.
A dragon, among the last of her kind, cold and aloof but desperately trying to make a difference.
When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn’s amusement.
But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies—and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets…
This book was eye-opening for me because I’ve had multiple realizations while listening to it, first and foremost the realization that not caring about a book is a much worse feeling than not liking it.
This book was… objectively fine. It had things I like in theory but didn’t care for here and things I actually liked. I just really didn’t care about any of it and I feel so bad but it is what it is.
It might be that as soon as I started listening I realized that I actually really hate the idea of B&tB retellings, so I started off with a bad feeling in my gut. When I continued listening I could see that the aspects that make me uncomfortable about B&tB retellings were handled well here, but I still might stay away from such books in the future.
It might also be that while I love f/f romances (obviously) I just couldn’t see why Yên had to be so fucking horny for a dragon like, the moment she saw her. No, not even if she has a human form. Maybe I’m just not into monster romances and that’s another things this book made me realize. Generally speaking, I don’t mind insta-lust in most cases but I also didn’t really see an actual relationship development and I just couldn’t care about the romance at all.
I also didn’t really like any of the characters except for the twins, Vu Côn’s children, and actually found them and their relationship with Yên more well developed than the one with Vu Côn.
The world…this is another one of the realizations I’ve had with this book. I like Asian-inspired fantasy but I really don’t like fantasy dystopia. Or at least I didn’t care about this one. Oh, and speaking of the setting: I also don’t like magical buildings. I can’t see stuff in my head anyway so if things are constantly changing and just plain weird it just becomes a nightmare for me.
What I really liked was the diversity, there was an all Vietnamese cast and things about the language were also present in English (like specifying different kinds of pronouns for different form of address depending on relative age/social status etc). I bet that’s going to throw off a lot of monolinguals and I secretly rejoice at the thought of confused English monolinguals growing a big question mark on their faces.
There’s also two secondary characters who use they/them and, from what I could tell, personal pronouns were never assumed based on a person’s appearance. It was nice and effortless and this is how it should be.
I considered hard whether this was more of a 2.5 or a 3 stars for me, considering that what I felt was “meh” and that I do consider it an okay book. But I decided to go with 2.5 because it just doesn’t compare to books I rated 3 stars (which are normally books where I at least enjoy most elements). Regardless of my rating, please still know that this is an objectively good book probably, it just ticked off a lot of points I don’t like or care about.
I was sent this book as an advance copy by the publisher via NetGalley for reviewing purposes, but all opinions are my own.
Summary:What if you knew how and when you will die?
Csorwe does — she will climb the mountain, enter the Shrine of the Unspoken, and gain the most honored title: sacrifice.
But on the day of her foretold death, a powerful mage offers her a new fate. Leave with him, and live. Turn away from her destiny and her god to become a thief, a spy, an assassin—the wizard’s loyal sword. Topple an empire, and help him reclaim his seat of power.
But Csorwe will soon learn – gods remember, and if you live long enough, all debts come due.
Coming up with a way to first introduce The Unspoken Name in a review is, at the very least, complicated. This is a novel with many layers and many aspects that cohabit peacefully with one another, and to put focus on one before the others would be to build wrongful expectations for what is the end result.
…and there I tricked you by giving you what I feel like should be the first thing to keep in mind when going into this novel. If you expect it to be fantasy more than scifi, or plot more than characters, or characters more than plot, or relationships more than characters, then you’ll end up expecting something this novel isn’t.
Keeping that in mind, now we can move on and talk about the different aspects!
The first thing I realized I liked about this book was the writing. I will admit it does feel like a debut novel but like, in a good way that makes me want to read the author’s future books and see how she improves based on what I already know she does well. I personally love when authors don’t force-feed you information about characters’ intentions and feelings/reactions at any given moment but let you understand it from the context and what you already know about them. I think this aspect was excellent and it had sometimes hilarious, sometimes powerful effects in moments that would have been spoiled by an overly detailed description. I also think each character’s voice was very distinct and immediately recognizable.
Speaking of which, I think characters and relationships are where this book truly shined for me. Amidst a lot of plot and action, these characters bleed through the pages and you absorb them slowly, as you would with a real person. By the end they all felt real in a way that doesn’t always happen with fantasy, and I truly Felt for their relationships.
The romantic aspect was really enjoyable but to be honest, not my favorite part. It was, I guess, just not as present as I usually like it to be, but I do feel that the sapphic (!!!!) relationship was very naturally built up and cute. I was also under the wrong impression (I don’t remember if because of reviews or why) that there would also be a side m/m romance but there is not (if you’ve read it and see a romance in That…I really don’t know what to tell you), and I would like to add: thank the Nine Gods. I don’t think there’s anyone here who’s allocishet but anyway there are like: three confirmed mlm characters (at least one of them is bi/pan) and three wlw ones.
The plot was intriguing and I was never bored. I do think it had some pacing issues, not something that necessarily always bothered me (for example, I love when it got a little slower for the sake of showing us certain characters and relationships), but it did make things a little weird in a couple of points. If you’re someone who cares a lot about plot and pacing, you might notice and care about this more than I did.
The worldbuilding is so unique and I’m not even going to pretend like I’ve understood how things work well enough to be able to talk about them but basically it’s a fantasy + scifi setting in which together with more high fantasy elements we also have uhh,, space (?) ships and you can jump between worlds.
So, would I recommend this? Absolutely! If you’re into adult fantasy and/or casually queer (sapphic!!!!!!!!!!!!!!!!!!!!!) books then this one is for you. And I’m really looking forward to the next book (by the way, this book can be a standalone because it has an arc that’s fully resolved by the end, which is even more reason to give it a try!), hoping it will follow Tal (my favorite character tbh).
TWs: human & animal sacrifices, violence, gore, drug use, death, alcohol, self mutilation
I was sent this book as an advance listening copy via libro.fm for reviewing purposes, but all opinions are my own.
Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.
Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.
Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.
This was one of the best and most unique novellas I’ve ever read.
I went in without knowing a single thing except what the book cover might tell you, so I was launched into this world and immediately, ahem, drowned in it. It was not always easy to follow at the very beginning, but I soon became extremely invested in the world, and later about the main character too.
There’s a reason for this delay, why you first get intrigued and want to know more about why things in this society work the way they do, and only later truly start caring about Yetu. Yetu is the historian of her society, meaning that she carries all the burden of a tragic and violent history while the rest of her species live their lives free of it, but she often loses herself in this history.
Only later, after the yearly ceremony where Yetu gets to share the history with the rest of her group, for only a few days, can we see Yetu free of her burden, and it’s not a wonder that her character might read a little generic at first. She doesn’t really know herself, was too young to really know herself when the full weight of their history was reversed on her.
It was then so satisfying to watch her regain her own identity, take decisions for herself, and reflect on what history means for the individual and for the community, and find out more about her origin while developing a beautiful romance with a human woman.
This is a tale that’s more about a community than about the main character, but it was still so good to see Yetu’s development while raising questions that are relevant to so many people, especially those who have had their roots and history erased from the collective memory. This is a story for those people especially, and as for everyone else who, like me, is white and knows her country’s and her hometown’s history, we just need to absorb the true meaning of this and reflect upon it.
I haven’t seen many reviews mention this, but let me be absolutely clear: this is also as queer as it gets (main f/f romance; m/m side romance; every water dweller is intersex and decides their own gender(s) or no gender at all; there is a human side character who uses they/them pronouns), and everyone is Black (both the water dwellers, who descend from pregnant African slaves, and the humans).
I’m not sure how the book itself would read, but the audiobook was really good and the writing came across flowing well, so I would definitely recommend this format if you’re into listening to books.
I was sent this book as an advance listening copy via libro.fm for reviewing purposes, but all opinions are my own.
From the New York Times bestselling author of The Night Circus, a timeless love story set in a secret underground world–a place of pirates, painters, lovers, liars, and ships that sail upon a starless sea.
Zachary Ezra Rawlins is a graduate student in Vermont when he discovers a mysterious book hidden in the stacks. As he turns the pages, entranced by tales of lovelorn prisoners, key collectors, and nameless acolytes, he reads something strange: a story from his own childhood. Bewildered by this inexplicable book and desperate to make sense of how his own life came to be recorded, Zachary uncovers a series of clues–a bee, a key, and a sword–that lead him to a masquerade party in New York, to a secret club, and through a doorway to an ancient library, hidden far below the surface of the earth.
What Zachary finds in this curious place is more than just a buried home for books and their guardians–it is a place of lost cities and seas, lovers who pass notes under doors and across time, and of stories whispered by the dead. Zachary learns of those who have sacrificed much to protect this realm, relinquishing their sight and their tongues to preserve this archive, and also those who are intent on its destruction.
Together with Mirabel, a fierce, pink-haired protector of the place, and Dorian, a handsome, barefoot man with shifting alliances, Zachary travels the twisting tunnels, darkened stairwells, crowded ballrooms, and sweetly-soaked shores of this magical world, discovering his purpose–in both the mysterious book and in his own life.
First and foremost: I enjoyed listening to this audiobook, I thought all narrators (full cast!! I love full casts!!!) were absolutely right for the parts they were narrating. They made this book flow well and fast and made me want to keep listening even during the parts that I found confusing, and I truly thought that my experience was enhanced by having listened to it as opposed to reading it.
Now, I do also think that this is a book that could’ve benefited from being read and taking one’s time to truly absorb the various stories more, but I am also aware that I wouldn’t picked it up at all if it wasn’t for the chance to listen to it.
The Starless Sea is a beautiful book with beautiful writing that will speak to a lot of readers, so why the three stars and not more? This is a case of it’s not you, it’s me: if I had to judge this book objectively alone I would probably give it 5 stars; my overall enjoyment of it was closer to 3 stars, and I wondered if I should do a mathematical average and end up giving it a solid 4, but that didn’t seem to convey the fact that this was, ultimately, a book that wasn’t for me.
Books about books and stories are, in theory, a great idea, and I see many readers do love them and I have in the past too. But there comes a point where if I feel like I’m being manipulated into this narrative then I get annoyed and stop enjoying this aspect of the book. If this aspect is what constitutes the core of the book, then it goes without saying that I lose interest in the book itself pretty easily.
In truth, I could tell you a bit about the first 20% of the book, where we get to know our protagonist, Zachary Ezra Rawlins, and not much else. It’s not that I lost focus or even that I didn’t enjoy it, because as I stated at the beginning, my listening experience was enjoyable and I even went out of my way to keep listening when I was done with my chores (that I do while listening to audiobooks). It’s just that the book shifts from Stories to our Main Story and yes, there is a point that the book makes, and I feel like I either missed it or it was truly just: “books and stories are nice.”
Well, no shit.
I don’t know, but I truly don’t get what’s so alluring as a person who reads a lot to feel like I’m being lectured about how good stories and books are. I’m not saying there is no place for this book in this world, because there obviously is, but I just don’t like feeling so manipulated into something I’m well aware of. This is obviously my opinion and I know people who read even more than I do and who absolutely adored this.
I did however really like, in the first part, the fact that stories were being talked about in a broader sense than just books. Zachary is a gaming student and he spends some time reflecting on the nature of videogame narratives vs books, and there is a scene where he and a group of students have a discussion about this topic and I thought that was the highlight of the whole book for me. As someone who doesn’t play a lot anymore (because….I don’t have a console or a proper gaming laptop. RIP) but is in love with story-heavy games, it was so refreshing to see videogames that are heavy on plot and narrative being treated as equals to other forms of fiction.
After this first part and after something happens to Zachary, it was all about hearing different stories and trying to piece together the threads of a common narrative, which admittedly would have been easier if one was reading in physical form or in ebook. And as the book progressed, we got to see how Zachary’s own story intertwined with the other ones, and, well, you get the gist of it.
As for the single stories, I found some of them truly beautiful and that’s where Morgenstern’s writing really shone through. However, it was kind of hard to keep track of everything. It’s the kind of thing that would require a reread to really understand fully and maybe you’d find something new every time you reread, but I’m just not going to do that.
One aspect I really did love was the diversity and the fact that this book was so normally and casually gay. The main character is gay, his love interest is nonspecified queer, and there’s two sapphic characters, and there are multiple POC characters including the protagonist. Despite this, I unfortunately didn’t love the romance, which I found too rushed despite being promised a slow burn (they get together late, but the attraction is more of the insta-love type). There also seems to be an age gap and I’m really not fond of that (the MC is 25 I believe but I couldn’t find any info on how old the LI is. nothing problematic, just not my cup of tea).
So, overall, would I recommend this? It really depends on you. If you’ve loved The Night Circus there’s a high chance you’ll love this too. If this doesn’t seem very appealing to you for the reasons I myself didn’t give it a higher rating, maybe read a few more reviews to make up your mind.
Hello and welcome back to an episode of Silvia Gets Everyone Into Her Latest Obsessions.
First of all, an introduction, because I don’t want to assume that everyone who finds this post has even heard of this. Or maybe they have but they’re still as confused as I was when I saw my friends on twitter get into it.
So, what is MDZS?
Mo Dao Zu Shi is the title of a Chinese novel by Mo Xiang Tong Xiu, and it translates to “Grandmaster of Demonic Cultivation”, and it’s also the title of some of its adaptations (except for the live action, which I’m going to talk about later).
Here’s the synopsis from goodreads:
As the grandmaster who founded the Demonic Sect, Wei WuXian roamed the world in his wanton ways, hated by millions for the chaos he created. In the end, he was backstabbed by his dearest shidi and killed by powerful clans that combined to overpower him. He incarnates into the body of a lunatic who was abandoned by his clan and is later, unwillingly, taken away by a famous cultivator among the clans—Lan WangJi, his archenemy. This marks the start of a thrilling yet hilarious journey of attacking monsters, solving mysteries, and raising children. From the mutual flirtation along the way, Wei WuXian slowly realizes that Lan WangJi, a seemingly haughty and indifferent poker-face, holds more feelings for Wei WuXian than he is letting on.
I would say this description is not 100% spot-on, but it does mention a lot of its strong points.
Before we talk about the different adaptations, I’m going to tell you…
Why I love this series so much
🐇 canon gay happy ending
🐰 non-linear storyline taking place over many (20) years
🐇 so many different plotlines and they all come together beautifully by the end (while realistically leaving a few things unsolved or bitter-sweetly solved)
🐰 music magic!!
🐇 great cast of characters
🐰 beautiful relationships & found families
🐇 fascinating world and magic
🐇 it’s dark but it’s balanced by a lot of funny and cute moments
🐰 good balance of shallow + deep villains
🐇 strictly-followed typical villain arc but SUBVERTED
🐰 zombies and ghosts (psst, they’re not all bad!)
🐇 blurred line between right and wrong, does the end justify the means, etc
🐰 adopting children along the way
🐇 lots of beautiful heartbreak
🐰 investigating a mystery while falling in love
🐇 oblivious bisexual main character
🐰 …and so much more!
If everything I mentioned above sounds like something you’d also like, read on to learn about the different adaptations!
There are a few rules I feel are best to follow if you want to get into this fandom and enjoy each adaptation at its fullest, but of course this is just my experience with it and you should do what you feel like. In any case, here’s my general advice:
• Start with something visual, doesn’t matter if it’s the comic or the animated version or both. I’d advice against starting with the novel because there are a lot of characters and you’ll be able to better tell them apart if you remember how they look (also, the different sects/clans are color-coded, which is nice).
• You can probably binge all the available comic chapters in a couple of hours or less before you start the novel, and to be honest you should. However, I don’t think it matters how far you’ve reached into the animated version, but by now it’s pretty far and you will be spoiled for a lot of things that happen in the novel if you watch the full two seasons. This is up to you, my personal advice would be to either stop watching at a point you feel right for you, or stop after episode 15 (where the first season —and a huge flashback— ends).
• If you’re planning to read the novel, absolutely leave the live action for last. It is an adaptation I absolutely adore and it is in some aspects an improvement from the novel, but it does get pretty canon divergent. So if you don’t want to get confused about some plot points, read the novel first, and preferably finish watching the animated version too, so that the canon plot gets solidified in your head before you get to enjoy the more canon-divergent version.
Again, this is just based on my experience and how I got to enjoy this series of adaptations, but if you’re like, “You know, I really only care about the live action”, then go for it and watch it first! And it won’t come in the way of your enjoyment of the novel if you end up wanting to read it anyway.
The novel is the original version written by MXTX and it’s unfortunately not yet officially translated in English (although, as you can imagine, there are fan translations on the internet). You might be able to purchase it if you can read Chinese, but I’m not sure if that’s possible because I heard of issues with censorship due to the M/M content. I know the author has had to write many different versions to appease Chinese censorship before but I’m quite honestly lost as to where it stands now and can’t find the information I want. But chances are, if you can read Chinese you can find this information better than I can (and if you do or you know about it already, please let me know!).
Anyway, the novel is very long and very beautiful. You can read it in its full length here.
The manhua (Chinese manga) is structured like a webtoon. It’s being officially translated in English on the wecomics app so you should definitely read it there to support it.
I think as far as I know this is the second-closest adaptation that follows the novel, only second to the audio drama (which is the only adaptation the author herself has any supervision on, afaik, but I’m not covering it in this post because I haven’t listened to it -but I know it’s beautifully acted from snippets I’ve heard online).
It can also be read on the kuaikanmanhua app if you want to read the latest chapters, which have not been translated into English yet. The app is all in Chinese so you will need to either understand Chinese or work around it with Google Translate. Later chapters are paid-only but they’re very cheap, and it’s easy for iOS users to pay for them directly. It’s trickier for Android users and you will need to ask your friends with Chinese bank accounts to help you out (please look for this information on twitter where other folks have explained).
Plot explanation time: the novel has many flashbacks (I told you, non-linear storyline), alternated with chapters in the present. The past timeline follows Wei Wuxian’s life before his death, and the present chapters follow him after his resurrection (this is not a spoiler since it tells you in the literal prologue of any adaptation, and it’s also in the synopsis!) Because some things work differently in different formats, the flashbacks don’t always interrupt the present story at the same time throughout all adaptations, but the manhua is more or less closer to the novel in this regard.
The donghua (Chinese anime) is one of two adaptations you can consume legally because it’s been officially translated!
It currently has two seasons (or, one 23-episodes-long season) and it will be a while before the next one comes out, but now is a good point to start it. Since it’s literally on YouTube, you really have no excuse not to start watching it (…unless you don’t want to, but then why did you get so far into this post? eheh), and if you don’t like it you can always close the tab and no harm done!
I think this adaptation is very well done, it keeps things a little more superficial compared to the novel or the live action, but that’s to be expected. It changes some things slightly, too, but less than the live action does. And the animation itself is so good, you can clearly see how much thought the creators put into each scene.
The live action | watch here! / on Netflix / on WeTV app
The live action is called Chén Qíng Lìng – The Untamed (usually people in the fandom just refer to it as cql), and sees Xiao Zhan as Wei Wuxian and Wang Yibo as Lan Wangji. The fandom loves them both and with good reason. I think they did their roles perfectly and truly became their characters and did them justice. Especially Yibo, who had the difficult task of portraying Lan Wangji, did such a masterful job (and keep in mind this was his first time acting!). The other actors were all amazing as well, and I love them all so much. I now see their faces when I reread the book or read fanfiction!
I like to see this adaptation as its own canon divergent universe. It did some things I preferred compared to the novel, especially how it gives more space to a few characters that in the novel have a smaller role, especially the female characters. Then there are things that I personally didn’t care about but I can sort of understand why they changed (especially in the past timeline, giving more scenes to the Wen clan, the yin iron…), and then there’s stuff I’m neutral about (the present plotline and what they did with the investigation plot).
There’s also the fact that because of Chinese censorship they had to formally no-homo the main relationship, but if you know me a bit you should at least trust me, lover of making things GAY, when I tell you that they did everything they could to convey how much the two main characters deeply love each other. Especially if you’ve read the novel, you’ll be able to tell exactly what’s going through their minds (especially Lan Wangji) at any given scene. I truly appreciate them giving them some of the most romantic, cheesy scenes I’ve ever seen in any live action ever (and, minor spoiler alert, they might not be able to show them as a couple, but the word “soulmate” might or might not have canonically used, so…)
I could honestly wax poetics about this adaptation for hours, but I promised myself this post wouldn’t be a review so I’m keeping this short(ish).
I would love to give y’all a full trigger warning list, but the fact is the novel is very very long and I wasn’t taking notes when I read it, so my list is going to be lacking. And as always, you should never count on only one person to spot all the triggers in any given work anyway.
This is a very dark story that sees major character deaths (although the most important one you know from the start, and you know he gets resurrected), grief, war, and so much more. If this was a western novel we’d label it Adult, and if you don’t normally read dark, adult fantasy, I would recommend you procede with caution.
A most definitely not complete list of content warnings (note: not all warnings may apply to all the adaptations, and not all warnings apply to the main characters/relationships and have the same importance throughout the story):
(highlight the paragraph to read): multiple major character deaths, loss of parents, grief, effects of trauma, self-sacrificing for others in more than one way, eye horror, betrayal, gore, walking corpses, monsters etc, war, mention of incest, murder, mention of torture, portrayal of work/death camp-like setting, mention of rape, mentions of extreme poverty and homelessness, dubious consent, child death, presumed child death, corporal punishment, mutilation, dismemberment, explicit sex scenes, alcohol consumption, mention of parental abuse, ableistic language.
Another no-context warning from the bottom of my heart: if you read the novel and you finish it, you will see there are extra chapters. They’re mostly good to very good, but don’t read the one that’s called Incense Burner (you will thank me).
Like every piece of fiction, this is not perfect. If I were to review it like I do other books or shows, I would give it five stars because my ratings tend to focus more on my emotional response than anything, but that doesn’t mean I’m not aware of its flaws. But the fact is that this story has consumed my time and thoughts for more than a month, thanks to the different adaptations (and fanfiction), so much that I’ve been in a reading slump ever since and I don’t even care about forcing myself to get back to reading until I get it out of my system.
It’s a fantasy story set in a world and a culture I knew nothing about (and still can’t claim to understand beyond what MDZS showed me), but I couldn’t keep my eyes off the page although the novel is 113 chapters long (and something that would probably be around 1k+ pages of a print book), and I honestly can’t say that many of the books I read were able to do the same.
Also, all my friends who have spontaneously (after seeing me talk about it all day on twitter…….) started to watch/read it are now in hell and can’t stop talking and thinking about it, so I guess it’s one of those things that once you start you kind of get obsessed with. I take no responsibility for your book slumps, y’all.
I hope this post was useful to those of you who have been wanting to get in on this fandom because I know it can be hard to understand where to start with. And if you didn’t know about it before, I really hope I have piqued your interest!