I was sent this book as an advance listening copy via libro.fm for reviewing purposes, but all opinions are my own.
Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.
Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.
Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.
This was one of the best and most unique novellas I’ve ever read.
I went in without knowing a single thing except what the book cover might tell you, so I was launched into this world and immediately, ahem, drowned in it. It was not always easy to follow at the very beginning, but I soon became extremely invested in the world, and later about the main character too.
There’s a reason for this delay, why you first get intrigued and want to know more about why things in this society work the way they do, and only later truly start caring about Yetu. Yetu is the historian of her society, meaning that she carries all the burden of a tragic and violent history while the rest of her species live their lives free of it, but she often loses herself in this history.
Only later, after the yearly ceremony where Yetu gets to share the history with the rest of her group, for only a few days, can we see Yetu free of her burden, and it’s not a wonder that her character might read a little generic at first. She doesn’t really know herself, was too young to really know herself when the full weight of their history was reversed on her.
It was then so satisfying to watch her regain her own identity, take decisions for herself, and reflect on what history means for the individual and for the community, and find out more about her origin while developing a beautiful romance with a human woman.
This is a tale that’s more about a community than about the main character, but it was still so good to see Yetu’s development while raising questions that are relevant to so many people, especially those who have had their roots and history erased from the collective memory. This is a story for those people especially, and as for everyone else who, like me, is white and knows her country’s and her hometown’s history, we just need to absorb the true meaning of this and reflect upon it.
I haven’t seen many reviews mention this, but let me be absolutely clear: this is also as queer as it gets (main f/f romance; m/m side romance; every water dweller is intersex and decides their own gender(s) or no gender at all; there is a human side character who uses they/them pronouns), and everyone is Black (both the water dwellers, who descend from pregnant African slaves, and the humans).
I’m not sure how the book itself would read, but the audiobook was really good and the writing came across flowing well, so I would definitely recommend this format if you’re into listening to books.
I was sent this book as an advance listening copy via libro.fm for reviewing purposes, but all opinions are my own.
From the New York Times bestselling author of The Night Circus, a timeless love story set in a secret underground world–a place of pirates, painters, lovers, liars, and ships that sail upon a starless sea.
Zachary Ezra Rawlins is a graduate student in Vermont when he discovers a mysterious book hidden in the stacks. As he turns the pages, entranced by tales of lovelorn prisoners, key collectors, and nameless acolytes, he reads something strange: a story from his own childhood. Bewildered by this inexplicable book and desperate to make sense of how his own life came to be recorded, Zachary uncovers a series of clues–a bee, a key, and a sword–that lead him to a masquerade party in New York, to a secret club, and through a doorway to an ancient library, hidden far below the surface of the earth.
What Zachary finds in this curious place is more than just a buried home for books and their guardians–it is a place of lost cities and seas, lovers who pass notes under doors and across time, and of stories whispered by the dead. Zachary learns of those who have sacrificed much to protect this realm, relinquishing their sight and their tongues to preserve this archive, and also those who are intent on its destruction.
Together with Mirabel, a fierce, pink-haired protector of the place, and Dorian, a handsome, barefoot man with shifting alliances, Zachary travels the twisting tunnels, darkened stairwells, crowded ballrooms, and sweetly-soaked shores of this magical world, discovering his purpose–in both the mysterious book and in his own life.
First and foremost: I enjoyed listening to this audiobook, I thought all narrators (full cast!! I love full casts!!!) were absolutely right for the parts they were narrating. They made this book flow well and fast and made me want to keep listening even during the parts that I found confusing, and I truly thought that my experience was enhanced by having listened to it as opposed to reading it.
Now, I do also think that this is a book that could’ve benefited from being read and taking one’s time to truly absorb the various stories more, but I am also aware that I wouldn’t picked it up at all if it wasn’t for the chance to listen to it.
The Starless Sea is a beautiful book with beautiful writing that will speak to a lot of readers, so why the three stars and not more? This is a case of it’s not you, it’s me: if I had to judge this book objectively alone I would probably give it 5 stars; my overall enjoyment of it was closer to 3 stars, and I wondered if I should do a mathematical average and end up giving it a solid 4, but that didn’t seem to convey the fact that this was, ultimately, a book that wasn’t for me.
Books about books and stories are, in theory, a great idea, and I see many readers do love them and I have in the past too. But there comes a point where if I feel like I’m being manipulated into this narrative then I get annoyed and stop enjoying this aspect of the book. If this aspect is what constitutes the core of the book, then it goes without saying that I lose interest in the book itself pretty easily.
In truth, I could tell you a bit about the first 20% of the book, where we get to know our protagonist, Zachary Ezra Rawlins, and not much else. It’s not that I lost focus or even that I didn’t enjoy it, because as I stated at the beginning, my listening experience was enjoyable and I even went out of my way to keep listening when I was done with my chores (that I do while listening to audiobooks). It’s just that the book shifts from Stories to our Main Story and yes, there is a point that the book makes, and I feel like I either missed it or it was truly just: “books and stories are nice.”
Well, no shit.
I don’t know, but I truly don’t get what’s so alluring as a person who reads a lot to feel like I’m being lectured about how good stories and books are. I’m not saying there is no place for this book in this world, because there obviously is, but I just don’t like feeling so manipulated into something I’m well aware of. This is obviously my opinion and I know people who read even more than I do and who absolutely adored this.
I did however really like, in the first part, the fact that stories were being talked about in a broader sense than just books. Zachary is a gaming student and he spends some time reflecting on the nature of videogame narratives vs books, and there is a scene where he and a group of students have a discussion about this topic and I thought that was the highlight of the whole book for me. As someone who doesn’t play a lot anymore (because….I don’t have a console or a proper gaming laptop. RIP) but is in love with story-heavy games, it was so refreshing to see videogames that are heavy on plot and narrative being treated as equals to other forms of fiction.
After this first part and after something happens to Zachary, it was all about hearing different stories and trying to piece together the threads of a common narrative, which admittedly would have been easier if one was reading in physical form or in ebook. And as the book progressed, we got to see how Zachary’s own story intertwined with the other ones, and, well, you get the gist of it.
As for the single stories, I found some of them truly beautiful and that’s where Morgenstern’s writing really shone through. However, it was kind of hard to keep track of everything. It’s the kind of thing that would require a reread to really understand fully and maybe you’d find something new every time you reread, but I’m just not going to do that.
One aspect I really did love was the diversity and the fact that this book was so normally and casually gay. The main character is gay, his love interest is nonspecified queer, and there’s two sapphic characters, and there are multiple POC characters including the protagonist. Despite this, I unfortunately didn’t love the romance, which I found too rushed despite being promised a slow burn (they get together late, but the attraction is more of the insta-love type). There also seems to be an age gap and I’m really not fond of that (the MC is 25 I believe but I couldn’t find any info on how old the LI is. nothing problematic, just not my cup of tea).
So, overall, would I recommend this? It really depends on you. If you’ve loved The Night Circus there’s a high chance you’ll love this too. If this doesn’t seem very appealing to you for the reasons I myself didn’t give it a higher rating, maybe read a few more reviews to make up your mind.
I went into this book having some contrasting feelings about Failed Future‘s ending but I have to say I actually really liked how things worked out here.
Because this is the fourth book in a series and basically the very premise of this installment hangs on a twist that happens in the last few chapters of the previous one, it’s really hard to talk about the plot without giving anything away, so please only keep reading if you’ve finished Failed Future!!!
I freaking love time travel. I don’t always reach for books that have it in them though, because it can be tricky and I feel like many books leave to many questions open and disregard a lot of time travelling rules. I had some of these problems here as well, but I also found it easy to disregard and focus more on the plot and characters.
I was also glad there was less Taavin because I’m still not feeling the romance (and let’s be honest, at this point in the series I’m never going to get into it), and I like how the focus was more on the female friendships that Vi was able to make.
Overall, I enjoyed this for the plot and the characters and I can’t wait to see where the next (final??) book is going to take us!
Hello and welcome back to an episode of Silvia Gets Everyone Into Her Latest Obsessions.
First of all, an introduction, because I don’t want to assume that everyone who finds this post has even heard of this. Or maybe they have but they’re still as confused as I was when I saw my friends on twitter get into it.
So, what is MDZS?
Mo Dao Zu Shi is the title of a Chinese novel by Mo Xiang Tong Xiu, and it translates to “Grandmaster of Demonic Cultivation”, and it’s also the title of some of its adaptations (except for the live action, which I’m going to talk about later).
Here’s the synopsis from goodreads:
As the grandmaster who founded the Demonic Sect, Wei WuXian roamed the world in his wanton ways, hated by millions for the chaos he created. In the end, he was backstabbed by his dearest shidi and killed by powerful clans that combined to overpower him. He incarnates into the body of a lunatic who was abandoned by his clan and is later, unwillingly, taken away by a famous cultivator among the clans—Lan WangJi, his archenemy. This marks the start of a thrilling yet hilarious journey of attacking monsters, solving mysteries, and raising children. From the mutual flirtation along the way, Wei WuXian slowly realizes that Lan WangJi, a seemingly haughty and indifferent poker-face, holds more feelings for Wei WuXian than he is letting on.
I would say this description is not 100% spot-on, but it does mention a lot of its strong points.
Before we talk about the different adaptations, I’m going to tell you…
Why I love this series so much
🐇 canon gay happy ending
🐰 non-linear storyline taking place over many (20) years
🐇 so many different plotlines and they all come together beautifully by the end (while realistically leaving a few things unsolved or bitter-sweetly solved)
🐰 music magic!!
🐇 great cast of characters
🐰 beautiful relationships & found families
🐇 fascinating world and magic
🐇 it’s dark but it’s balanced by a lot of funny and cute moments
🐰 good balance of shallow + deep villains
🐇 strictly-followed typical villain arc but SUBVERTED
🐰 zombies and ghosts (psst, they’re not all bad!)
🐇 blurred line between right and wrong, does the end justify the means, etc
🐰 adopting children along the way
🐇 lots of beautiful heartbreak
🐰 investigating a mystery while falling in love
🐇 oblivious bisexual main character
🐰 …and so much more!
If everything I mentioned above sounds like something you’d also like, read on to learn about the different adaptations!
There are a few rules I feel are best to follow if you want to get into this fandom and enjoy each adaptation at its fullest, but of course this is just my experience with it and you should do what you feel like. In any case, here’s my general advice:
• Start with something visual, doesn’t matter if it’s the comic or the animated version or both. I’d advice against starting with the novel because there are a lot of characters and you’ll be able to better tell them apart if you remember how they look (also, the different sects/clans are color-coded, which is nice).
• You can probably binge all the available comic chapters in a couple of hours or less before you start the novel, and to be honest you should. However, I don’t think it matters how far you’ve reached into the animated version, but by now it’s pretty far and you will be spoiled for a lot of things that happen in the novel if you watch the full two seasons. This is up to you, my personal advice would be to either stop watching at a point you feel right for you, or stop after episode 15 (where the first season —and a huge flashback— ends).
• If you’re planning to read the novel, absolutely leave the live action for last. It is an adaptation I absolutely adore and it is in some aspects an improvement from the novel, but it does get pretty canon divergent. So if you don’t want to get confused about some plot points, read the novel first, and preferably finish watching the animated version too, so that the canon plot gets solidified in your head before you get to enjoy the more canon-divergent version.
Again, this is just based on my experience and how I got to enjoy this series of adaptations, but if you’re like, “You know, I really only care about the live action”, then go for it and watch it first! And it won’t come in the way of your enjoyment of the novel if you end up wanting to read it anyway.
The novel is the original version written by MXTX and it’s unfortunately not yet officially translated in English (although, as you can imagine, there are fan translations on the internet). You might be able to purchase it if you can read Chinese, but I’m not sure if that’s possible because I heard of issues with censorship due to the M/M content. I know the author has had to write many different versions to appease Chinese censorship before but I’m quite honestly lost as to where it stands now and can’t find the information I want. But chances are, if you can read Chinese you can find this information better than I can (and if you do or you know about it already, please let me know!).
Anyway, the novel is very long and very beautiful. You can read it in its full length here.
The manhua (Chinese manga) is structured like a webtoon and there are currently around 80 chapters, as far as I know. It’s also not yet officially translated in English, but of course there are fan translations.
I think as far as I know this is the second-closest adaptation that follows the novel, only second to the audio drama (which is the only adaptation the author herself has any supervision on, afaik, but I’m not covering it in this post because I haven’t listened to it -but I know it’s beautifully acted from snippets I’ve heard online).
Explanation time: the novel has many flashbacks (I told you, non-linear storyline), alternated with chapters in the present. The past timeline follows Wei Wuxian’s life before his death, and the present chapters follow him after his resurrection (this is not a spoiler since it tells you in the literal prologue of any adaptation, and it’s also in the synopsis!) Because some things work differently in different formats, the flashbacks don’t always interrupt the present story at the same time throughout all adaptations, but the manhua is more or less closer to the novel in this regard.
The donghua (Chinese anime) is one of two adaptations you can consume legally because it’s been officially translated!
It currently has two seasons (or, one 23-episodes-long season) and it will be a while before the next one comes out, but now is a good point to start it. Since it’s literally on YouTube, you really have no excuse not to start watching it (…unless you don’t want to, but then why did you get so far into this post? eheh), and if you don’t like it you can always close the tab and no harm done!
I think this adaptation is very well done, it keeps things a little more superficial compared to the novel or the live action, but that’s to be expected. It changes some things slightly, too, but less than the live action does. And the animation itself is so good, you can clearly see how much thought the creators put into each scene.
The live action is called Chén Qíng Lìng – The Untamed (usually people in the fandom just refer to it as cql), and sees Xiao Zhan as Wei Wuxian and Wang Yibo as Lan Wangji. The fandom loves them both and with good reason. I think they did their roles perfectly and truly became their characters and did them justice. Especially Yibo, who had the difficult task of portraying Lan Wangji, did such a masterful job (and keep in mind this was his first time acting!). The other actors were all amazing as well, and I love them all so much. I now see their faces when I reread the book or read fanfiction!
I like to see this adaptation as its own canon divergent universe. It did some things I preferred compared to the novel, especially how it gives more space to a few characters that in the novel have a smaller role, especially the female characters. Then there are things that I personally didn’t care about but I can sort of understand why they changed (especially in the past timeline, giving more scenes to the Wen clan, the yin iron…), and then there’s stuff I’m neutral about (the present plotline and what they did with the investigation plot).
There’s also the fact that because of Chinese censorship they had to formally no-homo the main relationship, but if you know me a bit you should at least trust me, lover of making things GAY, when I tell you that they did everything they could to convey how much the two main characters deeply love each other. Especially if you’ve read the novel, you’ll be able to tell exactly what’s going through their minds (especially Lan Wangji) at any given scene. I truly appreciate them giving them some of the most romantic, cheesy scenes I’ve ever seen in any live action ever (and, minor spoiler alert, they might not be able to show them as a couple, but the word “soulmate” might or might not have canonically used, so…)
I could honestly wax poetics about this adaptation for hours, but I promised myself this post wouldn’t be a review so I’m keeping this short(ish).
I would love to give y’all a full trigger warning list, but the fact is the novel is very very long and I wasn’t taking notes when I read it, so my list is going to be lacking. And as always, you should never count on only one person to spot all the triggers in any given work anyway.
This is a very dark story that sees major character deaths (although the most important one you know from the start, and you know he gets resurrected), grief, war, and so much more. If this was a western novel we’d label it Adult, and if you don’t normally read dark, adult fantasy, I would recommend you procede with caution.
A most definitely not complete list of content warnings (note: not all warnings may apply to all the adaptations, and not all warnings apply to the main characters/relationships and have the same importance throughout the story):
(highlight the paragraph to read): multiple major character deaths, loss of parents, grief, effects of trauma, self-sacrificing for others in more than one way, eye horror, betrayal, gore, walking corpses, monsters etc, war, mention of incest, murder, mention of torture, portrayal of work/death camp-like setting, mention of rape, mentions of extreme poverty and homelessness, dubious consent, child death, presumed child death, corporal punishment, mutilation, dismemberment, explicit sex scenes, alcohol consumption, mention of parental abuse, ableistic language.
Another no-context warning from the bottom of my heart: if you read the novel and you finish it, you will see there are extra chapters. They’re mostly good to very good, but don’t read the one that’s called Incense Burner (you will thank me).
Like every piece of fiction, this is not perfect. If I were to review it like I do other books or shows, I would give it five stars because my ratings tend to focus more on my emotional response than anything, but that doesn’t mean I’m not aware of its flaws. But the fact is that this story has consumed my time and thoughts for more than a month, thanks to the different adaptations (and fanfiction), so much that I’ve been in a reading slump ever since and I don’t even care about forcing myself to get back to reading until I get it out of my system.
It’s a fantasy story set in a world and a culture I knew nothing about (and still can’t claim to understand beyond what MDZS showed me), but I couldn’t keep my eyes off the page although the novel is 113 chapters long (and something that would probably be around 1k+ pages of a print book), and I honestly can’t say that many of the books I read were able to do the same.
Also, all my friends who have spontaneously (after seeing me talk about it all day on twitter…….) started to watch/read it are now in hell and can’t stop talking and thinking about it, so I guess it’s one of those things that once you start you kind of get obsessed with. I take no responsibility for your book slumps, y’all.
I hope this post was useful to those of you who have been wanting to get in on this fandom because I know it can be hard to understand where to start with. And if you didn’t know about it before, I really hope I have piqued your interest! If you need more information / links just shoot me a DM on twitter @ verelaurent (please mention you came from this post if I don’t know you, so I know why you’re writing me).
I was sent this book as an advance copy by the publisher via NetGalley for reviewing purposes, but all opinions are my own.
Second in K. A. Doore’s high fantasy adventure series the Chronicles of Ghadid, a determined assassin travels to the heart of the Empire in pursuit of a powerful mark, for fans of Robin Hobb, Sarah J. Maas, and S. A. Chakraborty
Thana has a huge reputation to live up to as daughter of the Serpent, who rules over Ghadid’s secret clan of assassins. Opportunity to prove herself arrives when Thana accepts her first contract on Heru, a dangerous foreign diplomat with the ability to bind a person’s soul under his control.
She may be in over her head, especially when Heru is targeted by a rival sorcerer who sends hordes of the undead to attack them both. When Heru flees, Thana has no choice than to pursue him across the sands to the Empire that intends to capture Ghadid inside its iron grip.
A stranger in a strange city, Thana’s only ally is Mo, a healer who may be too noble for her own good. Meanwhile, otherworldly and political dangers lurk around every corner, and even more sinister plans are uncovered which could lead to worldwide devastation. Can Thana rise to the challenge—even if it means facing off against an ancient evil?
This book is the second in The Chronicles of Ghadid series and while it follows different main characters than The Perfect Assassin, you shouldn’t jump directly into this one if you haven’t read that first, because you will miss important information and context that makes this world so interesting.
And speaking of the world, after reading TPA I knew I loved it, but this second book solidified my appreciation for it (and it made me realize that it’s perfectly possible to get attached to a fictional city, and oh how I am attached to Ghadid).
While TPA was more focused on the city, giving a cozy introductions to the world and its rules, The Impossible Contract expands our horizon and shows us what’s beyond Ghadid, bringing us to the sands below and to the Empire’s capital. I loved seeing the different rules and customs, I loved the different stakes that this book’s characters faced, and the fact that magic played a much bigger role than in book one. It’s also simultaneously rather darker than TPA and funnier, and a little more hopeful. Also, camels. 🐪
TIC follows Thana, Amastan’s cousin, who has a contract to kill Heru, the Empress’s en-marabi (sort of a necromancer) and a man whose work many people consider blasphemous. When she doesn’t succeed on her first try, she finds that there’s so much more going on, and the stakes are higher than she could have ever imagined. Also it doesn’t hurt that her healer is really cute. What follows is a rather action-packed adventure among zombies, guuls, sand, magic, sand, and more sand. And have I mentioned camels? 🐪
Thana, Mo and Heru are one of the best and most fun travelling trio I’ve ever met in fiction. Heru is exactly the type of character I can’t help falling in love with, with his deadpan, accidental humor. He’s a first class nerd, a Ravenclaw who does everything he does for the sake of expanding the horizons of knowledge. Someone please keep him away from camels.
Thana is a wonderful MC. She wants to prove herself not just as the daughter of a famous assassin, she wants to built her own name and to do so she ends up having to cross the desert with unlikely allies. My heart ached for and with her more than once, and I just wanted her to get her happy ending.
Mo is the other side of the nerd coin, she and Heru have very different principles but rely on similar strengths. Usually it’s the MC that has to see their beliefs challenged during their character arc, but here Mo takes on that role and it works so well. I love her (and so does Thana).
I’m sure I could say much more (and come up with more camel jokes), but I’ll finish by saying that this was such a joyful experience for me, and this series is so much fun to read and to talk about with my friends who’ve also read it. Even though I’ve already read the ARC I think I will listen to the audiobook when it comes out because that’s how I read TPA and it was so nice.
So, if you’re looking for a well-crafted world, a cute f/f romance set in a scary desert, well-rounded characters and an adventure that’s above all fun, definitely get your hands on this book. And don’t forget to read The Perfect Assassinfirst for soft gay ace assassins and murder mysteries.
TWs: blood, gore, blood magic, violence, slavery, vomiting, injury, magical healing, animal deaths, eye horror, minor character deaths, zombies, mind control
I was sent this book as an advanced copy by the author for reviewing purposes, but all opinions are my own.
When worlds collide, and things are rarely what they seem, there may be no one Vi can trust.
Having forsaken her crown for a chance to save her family, and the world, Vi Solaris washes up on the shores of Meru. She’s wounded and barely alive. But Vi’s fight for survival is only just beginning.
As a princess in a foreign land, everyone is after her.
The pirate queen Adela wants to sell her to the evil elfin’ra. The Twilight King wants to use her to settle an old score. And, perhaps most dangerous, is the scheming Lord of the Faithful who sees her as an opportunity to further consolidate his power.
The only path for Vi is forward. But she doesn’t yet know if she’s running toward salvation… or a brutal end to everything she loves.
Vi’s journey continues with even more betrayal, romance, magic, and a twist you never saw coming that leaves readers begging for the next book.
Third books in long series are always a turning point and this one was as well, in more ways than one.
In the first half of the book there was a lot I liked. Kova’s ability to introduce new characters and make them interesting right off the bat is something that works really well at the beginning of new series or, in this case, when our main character is somewhere new and has to make new connections.
However, the rest of the book was a little boring to me despite the fact that it was rather fast paced, or maybe that’s why, since I enjoy a bit more focus on characters and relationships. But I might have honestly just not been in the mood for this, because I was also bored with Vi and Taavin’s relationship since it took more page time than the prequels. I did enjoy some moments of course and I was able to focus on the final 20 pages more than I did for the second half of the book.
And that brings me to the ending (no worries, no spoilers from me). I think what Kova did in this book is very brave and I’ll be able to fully process what happened in this book when I read the next, but it’s certainly taken a turn I’d have never seen coming. I’m still not entirely sure what it all means for the rest of the series and for our view of Air Awakens, but I’m very curious to see what will happen next.
Speaking of Air Awakens, I truly believe that while it’s not necessary to read it for the first two books of this series, there will be a lot of connections that are lost if you haven’t read the original series. Especially going into the next books, I fully recommend catching up with the first series if you haven’t done so already.
I was sent this book as an advanced copy by the publisher via NetGalley for reviewing purposes, but all opinions are my own.
Rinn has grown up with the Tea Dragons that inhabit their village, but stumbling across a real dragon turns out to be a different matter entirely! Aedhan is a young dragon who was appointed to protect the village but fell asleep in the forest eighty years ago. With the aid of Rinn’s adventuring uncle Erik and his partner Hesekiel, they investigate the mystery of his enchanted sleep, but Rinn’s real challenge is to help Aedhan come to terms with feeling that he cannot get back the time he has lost.
What an utterly delightful story, and what a gift to the world is Katie O’Neill!
The Tea Dragon Festival is a companion-prequel to The Tea Dragon Society and it follows Rinn (they/them), who is an aspiring cook, and a Dragon (not a small tea dragon!) who’s been asleep for too long. We also see a young Erik and Hesekiel in their bounty hunters days and they’re just as cute as you might imagine if you’ve read TTDS. There’s also a side character who uses Sign Language and the whole village has learned SL because of her and it’s like, no big deal to them and it was so endearing to see.
As always the author has created a rich and inclusive world that radiates the positivity we so desperately need sometimes with escapism nowadays. This is both great for a younger audience and for everyone else who’s just looking to read a wonderful diverse story and look at seriously cute art. I can’t recommend it enough!