Happy Pride Month!

Risultati immagini per pride flag

This is a really quick post, I’m in a slump and even when I read books I don’t have time to/don’t feel like writing reviews (I’m really sorry), BUT I wanted to say I’m going to challenge myself to only read LGBTQ+ books this month (it’s not such a drastic change from what I usually read anyway so it doesn’t even feel like a challenge to be honest).

I also made a goodreads shelf with books I’ve read that have good rep (or at least rep that I found good). If it’s a series, I only added book one so it’s less cluttered. I’ll keep adding to the list throughout the month as I read stuff (again, I don’t know how many books I’ll read since this is a big slump and I’m busy with other things), but at the end of the month I’ll probably just change its name and keep it.

So feel free to snoop around that shelf and I hope you’ll all try to read more queer books always but especially this month! (I haven’t looked around if there’s some kind of official challenge for this, I just want to make it a very chill thing for me because I can’t deal with more serious challenges now, but anyone is free and welcome to join me)

Also not book related but everyone go watch Yuri!!! On Ice if you haven’t ♥

Review: The Loveless Princess by Lilian Bodley

I received an ARC via netgalley but all thoughts are my own.

★★★★

The first thing you should know about this short book is that I kept reading it in the car (don’t worry I was only a passenger!) despite my motion sickness and despite the Pokémon GO event with the 4x candies for your Pokémon buddy, y’feel me?

So I guess what I’m saying is that I was hooked from the first sentence. It’s not that the story was particularly original but it was gripping and really well written and I really wanted to know how the whole aro/ace thing was going to be handled. As it turns out, I think it was done pretty well (I’m not aro/ace but I believe this book is #ownvoices so I have to trust the author on this. Also from previous reads and research I felt like everything was handled well).

The plot was pretty simple but effective and to the point: Princess Anette is forced to marry Prince Everett from another kingdom, her parents won’t hear her reasoning and they don’t believe and don’t understand her when she tries to explain that she’s never loved anyone that way and she truly doesn’t believe that she ever will, and her parents keep telling her that she’ll find happiness through marriage. She reluctantly accepts to be married off because she’s an actual rational person unlike many book MCs and realizes there’s not much she can do that wouldn’t put her and her fiance’s kingdom at risk.
After she’s been married for a couple of days she finds out that her husband actually only loves men (that’s what I was hoping would happen tbh) and has a lover. When she sees them together, she gets mad because she was still holding on to the hope that despite her feelings so far (or lack of romantic feeling) she could grow to love her husband the way people expected her to, but if he loves someone else she sees that tiny hope disappear (I thought that was a bit of a weak plot point, but I actually reread that passage and while it’s a bit sudden and she seems to act a bit OOC I think her reasons actually make some sort of sense). She says some things she doesn’t fully mean, and the prince disappears, so she decides to go on a quest to find him since it was her fault that he disappeared.
This quest is full of fairy tale elements (the whole book actually is. It mentions a lot of tales/myths -some of which I haven’t even been able to identify because I’m not the most knowledgeable person when it comes to those) and the book makes it a point to make you understand that this story is set in such a classic, traditional world.

Now, I think that is great because that means that even in a classic, fairy-tale-like world, where Prince Everett’s grandma is literally the Princess form the Princess and the Pea and his mom is the Princess from Sleeping Beauty, aro/asexual and gay people and all kinds of people can exist and find their own place and they can make this world theirs. I think that’s definitely empowering and important and one of the things that made me like this short story so freaking much.

Another thing that was stressed out almost too much (but I never found like it was repeated too often or in the same context twice) was the idea that love/marriage and happiness aren’t two things that go hand in hand. This is stated in the book because the heroine is aro/ace but I feel like it’s an universal message and too often in books (and in life) there’s this silent acceptance of the equation love=happiness but that couldn’t be further from the truth. Even if you’re not aro/ace, you should reflect on this message because it’s true, you don’t need to find love to be happy (and finding love is nice but it doesn’t automatically make you happy on all fronts).

I’d definitely recommend this book to anyone for all the reasons I stated above (plus if you feel like you don’t know much about aro/asexuality but would like to understand it I feel like this book is a good place to start researching).

TW: attempted rape (I kinda skimmed that part, it wasn’t very graphic I think but it’s still important to point it out)

Burn, Rewrite, Reread Tag

I was tagged by Emma @ A Dreamer’s Library quite some time ago and I’m finally getting around to write this! Thank you so much!

The Rules:

  1. Randomly choose 3 books (Tip: use the ‘sort>random’ option on your Goodreads’ Read shelf)
  2. For each group, decide which book to burn, which one to rewrite, and which to reread (a lot like Kiss, Marry, Kill)
  3. Repeat until you completed three rounds (or six)

Round 1

Burn: This is a no-brainer, I’d burn Down: Portal by Glenn Cooper. I can’t remember much, except that while the idea was cool, the execution sucked. I didn’t even like book one in the series too much, although it had some interesting elements, but this sequel is so stupid it’s not even worth “rewriting”.
Rewrite: I wouldn’t say I’d want to rewrite all of it, but there are some parts of ACOMAF I’d definitely change. If you’ve read my review of ACOWAR, you’ve see some of the problems I had with it, and while I didn’t reread ACOMAF recently (I originally gave it five stars when I read it last year, but my tastes have changed so much) I’m willing to bet that if I reread it now I’d find the same problems I had with ACOWAR, especially when it comes to the “steamy” parts *cringes because she didn’t find them steamy at all*
Reread: As if I need an excuse to reread one of my favorite series of all time 😀 Well, it’s obvious I would and will reread The King’s Men by Nora Sakavic (I in fact have reread the whole trilogy in January/February this year). I really miss the Foxes of PSU and I can’t wait for the pain that my third reread will bring (why are we readers like this?)

Round 2

Burn: I’m sorry but I didn’t like Flame in the Mist and among these books it’s the one I wouldn’t mind burning.
Rewrite: I loved the Girl in a Box series when I read it three years ago. I can’t remember much about it except that it’s really, really long but I binge-read it in just a little bit over a month. I wasn’t as much of a critical reader back then as I am now but I’d say if I read it now I’d find some things in the writing that I’d like to change. I even gave Untouched four stars instead of the five I gave every other book in the series so I probably must have found something I wanted to change.
Reread: I’ve been meaning to reread the Gli Invisibili series for so long! It was one of my favorites (together with Harry Potter) when I was a kid, and I remember Gli Invisibili e la Strega di Dark Falls was my favorite one. I was obviously still a kid so maybe I’d find it awful now, but I’d still read it because I like feeling nostalgic of good things. The only reason I haven’t done it yet is because I can’t for the life of my find book one (it must be somewhere in my house, unless I lent it to someone back in school and forgot and never got it back…I really don’t know). It’s too bad the series is only in Italian because I never find anyone who has read it!

Round 3

Burn: I’m probably going to readers hell for this but I’d burn Pride and Prejudice PLEASEDONTKILLME! I read it a couple of years ago and I liked certain parts but it was so boring and difficult to read (please remember that English isn’t my first language so I had some issues with this because it was written so long ago). Out of the three books above it’s the one that has given me the least in terms of enjoyment, so it’s a burn. *watches followers count drop while sad music plays*
Rewrite: Despite all the flaws I might find now, the Throne of Glass series has given me so much that I would never hate it no matter what. I’d rewrite the first book to fix the character problems (Celeana being described as a ruthless, bloodthirsty assassin…while we’re being shown that she, in fact, isn’t ruthless OR bloodthirsty).
Reread: I definitely would and will reread The Raven King (and the whole series) because it has some of the best characters I’ve ever read about (Adam and Ronan are character goals tbh)

This was really fun to do! I don’t really know who has done this tag already so I tag anyone who wants to do it!

Review + Discussion: A Court of Wings and Ruin by Sarah J. Maas

23766634

★★★✩

 

This is one of those weird times when I wish star-rating disappeared because I don’t think I’ll ever feel completely comfortable with any rating I might give this book.
I originally gave it 4 stars, as I’m writing this now I think I want to leave out the star-rating completely and just use words instead for once. By the time I finished this review I feel like I want to give it 2,5 stars or something?? So I’m going with 3 official stars because despite my rant I mostly enjoyed reading this.

A few notes before you head into this review: most of the things I write are aspects of this book that I didn’t like. It’s much easier to point those out and rant about them than talk about the things I did like. I don’t think it’s just me, I think it’s a human condition to focus a lot more on the negatives than the positives. So if you don’t want to read anything negative about this book, leave now for your own sake, but know that I did overall like this book. I’ll point out the things I subjectively didn’t like and the things I think are objectively kind of shitty. Also, my tastes have changed a lot in the past year, so if you see my ratings for SJM’s books (they were all five stars at the time I read them) keep in mind that they might not necessarily be true anymore if I re-read those books now.

PLOT:

I think my strengths as a reader and reviewer don’t lie in judging (and summarizing lol) plots, so I’m going to leave it to other readers to do so. All I can say is that I think the plot made sense as a whole. There some slightly dull parts, and especially the beginning at the Spring Court was rather flat. I think we all expected a lot more drama there, and there wasn’t much of it. A lot of the plot was about preparing for war and discovering things/people/creatures that could come in handy once war started. I think some things could have been handled better.
I loved how some things were downright creepy, like Bryaxis, the Bone Carver and Weaver’s backstory, the Ouroboros, Amren’s story…until they weren’t. Come to think of it, her books (I’m extending this to ToG as well) are full of things that are creepy until they’re “humanized” or somehow made less scary. I do like this aspect most of the time but I feel like she might be overusing it a bit. I’d like some things to stay creepy for once.
As for the ending, it made me really emotional in a couple of points. A lot of how the war played out was very plot-device-y, but I’m not complaining about that. And as much as I’m overall happy with the ending, it didn’t seem very realistic.
There’s also a lot of minor loose ends, and I guess those will be addressed in the next books, but I appreciate that this series feels over and the next books will focus on different characters and not Feyre and Rhysand anymore. I think it’s really easy to drop this series now if you’ve been disappointed by it, and I appreciate that she didn’t end with a cliffhanger that would attract more readers to the next book.
As for me, I think I will continue reading this series, despite everything. I really care about the characters and I admit I’m curious about the world and how certain things will come into play (also I’m hoping at some point we’ll see some clear sign of how this and the ToG worlds connect, because afaik SJM said they are connected).

CHARACTERS:

I think SJM writes character really well…for a maximum of 2-3 books. She excels at secondary and side characters (though not in this book so much), but when it comes to MCs she can’t keep them up for more than a couple of installments. Their arcs and development are basically solved, in the case of this series, with ACOMAF.
I still really liked everyone, even when I don’t agree with things they do (see: Mor). If it wasn’t for the characters, I would have probably DNF’d this book pretty early. I only wanted to finish it because I needed to know how certain relationships would (or wouldn’t) develop, and that makes up for most of the disappointment I feel towards this book.

RELATIONSHIPS:

This was partially a mess.

Friendships are very well done in all her books. One thing I’ll always applaud is her way or portraying female friendships in all her books. There’s not enough of that in popular books and it’s such an important thing to have when so many books focus on girls and women being against each other.

However, the romantic relationships kind of sucked, and the problem lies in her writing (which I’ll address more in depth below).
SJM tries to build what she hopes is unresolved sexual tension while doing exactly the opposite. The constant (not) “sexy” comments, the innuendo…they worked the opposite of how SJM intended for them to work. She’s hoping to create chemistry between the characters, but I see none. Literally none. I haven’t re-read ACOMAF, so I don’t know anymore if this applies for that book as well, but here I only knew that Feyre and Rhys had to be a pair because they’re mates etc etc but I saw none of the chemistry and mutual understanding that makes me ship the characters hard. We’re told many times how awesome Rhys is, or maybe I should say that it’s always thrown in our faces. Well, I prefer discovering it for myself by being shown, thank you.
SJM can handle the “get together” part of a romantic relationship pretty well, but she fails at portraying established relationships in an entertaining way. She uses sex as the only way to “keep the ship alive” and entertain the reader when it’s clear that a couple is endgame, and she fails at that.

I don’t really know in what section of this review this should go, but…the sex scenes. The *inhales* sex scenes *exhales*. Just…no. They add nothing to the story. They’re gross. Literally every fanfiction smut I’ve read is better than this. Stop devouring or feasting on people. That’s cannibalism. In general, just stop with all the animalistic language, the purring and shit.
Also I think this is still being published as YA? Which is so wrong. I don’t have ANYTHING against sex in YA books, but it needs to be handled properly. By all means, have a semi-explicit sex scene. But write it delicately. Write it in a way teenagers can identify themselves with. This is not it. Imagine being 16 or 17 and reading this, being told that sex is always animalistic and dirty and can happen literally at any given moment, nevermind that you’ve just killed and seen people being killed in battle merely minutes ago. Seeing weird metaphors being used instead of calling genitals for what they are. How do you not get grossed out? How do you not get scared/disgusted by sex? Hell I’m in my twenties and even I got grossed out.

I’m really sad that SJM chose the path of adding smut to every book she writes since ACOMAF. I’m all for sex-positivity but writing smut doesn’t necessarily mean that. If you do write it, it needs to be well written. This is by no means it. It’s self-indulgent, it’s pure fanservice and I worry about the view of sex it gives younger people.

WRITING:

I definitely grew a lot in the past year as a reader and as a reviewer, and there’s nothing that proves it better than reading an author you used to think was perfect and finding her writing mediocre at best. Wow. More than that, There’s a few things that she definitely used to not do before, and now she does. Like the “no question mark” policy she started to adopt in EoS.
Here’s the thing: stop writing questions without a question mark. You’re not on twitter or tumblr. If you want the question to have a certain feel to it, say, “X said in a flat tone” or something like that. Most of the time, you’ll find that you don’t even need to do that. Readers are intelligent beings and can pick up a mood from the context without you constantly feeding them every.single.thing.

Another thing that she does the whole freaking time is this structure:

verbless sentence + … + sentence referring to the first sentence

Such a structure…that’s only okay once in a while, not every single page (<– see what I did there?)
She also trails off with a lot of her sentences, especially when explaining or pointing out things.

And that’s another problem. She explains and describes too much. She leaves almost nothing to the reader’s imagination, which is also wrong when using a first person PoV. If you pay attention, you’ll see that Feyre seems to describe the faces and expressions of everyone in a room, while also saying that she keeps her gaze upon one single character. Uhm, do you have eyes behind your head, Feyre? How does that work exactly? Well, it doesn’t.

Something that seems to annoy a lot of people are words like “mate” and “male/female”. I don’t find them particularly appealing, but I’ve just accepted that that’s what I’m going to get whenever I read a SJM book. You can find the whole concept of mates stupid or ridiculous I guess, or you can find it beautiful and romantic. I’m right in the middle, in that I don’t really care about it one way or another. I just accept it as part of the world building, like the fact that Fae and magic and other creatures exist, and move on with my life. But I do agree that the word “mate” was often used as a substitute for Rhys’s name when using it wouldn’t even have been a repetition, thus making it really unnecessary. As for male/female, it kind of makes sense because she seems to keep “man” and “woman” for humans, so she needed different words for Fae. I don’t know, it’s not my favorite thing either but I can see how it makes sense.

That’s it for my review, but I want to discuss the LGBT+ REPRESENTATION in this book. I won’t hide anything under spoilers in this section, so if you don’t want to find out about certain characters’ sexuality, stop reading right now.

It’s clear that SJM listened to readers when they wished for more lgbt+ representation. There are a few different points and I hope to touch them all in this review. I’ve been much slower than basically everyone else in reading this book so I guess I’m late to the party, and I didn’t read any discussions while I was reading the book because I wanted to go in the book completely blind. Still, I managed to gather what the main discussion points were:

Is this book acephobic?
I don’t think it inherently is, but if ace people have found this particular sentence

perhaps any sort of physical passion had long ago been drained away, alongside their souls.


harmful, I respect them and their feelings and I’m in no position to tell them they’re wrong. But, from a strictly rational and linguistic point of view, I do not think that that sentence implies a correlation between being soulless and being on the ace spectrum.

Is there LGBT+ representation in this book?
Yes, there is: one secondary character, three side characters and two “barely there” characters are on an LGBT+ spectrum.

Is the LGBT+ rep good?
For the most part, I think it is. I mostly liked how, except for a secondary character, there seemed to be no issue with the fact that someone is gay/lesbian/bi. In both this and the ToG world, same sex relationships are never frowned upon, nobody has anything against anyone for wanting to have sex with whichever gender they want to have sex with. The only problem, that only the secondary character faced, seems to arise when someone is expected to bear children because they need an heir for political/diplomatic reasons.

There is, however, one side character whose sexuality is handled really poorly. Helion, High Lord of the Day Court, is pan/bisexual, and apparently the only way that SJM thought of to show that he likes both (or all) genders, is to have him hit on every single character present at that moment, with very NOT subtle innuendos and straight-up invitations to a threesome/orgy. Right, because bisexuals don’t face enough stereotypes from both straight and homo people, let’s portray them as people who are always horny and always want to have sex with both genders, PREFERABLY at the same time! *rolls eyes* (To be honest, the always-horny seems to be a flaw in SJM’s character description, no matter if straight or bi).
This was honestly really disappointing and I couldn’t believe my eyes when I read that part. It’s truly the only harmful part of this book that I could detect and I freaking hate it. How did nobody tell SJM she needed to edit that whole thing? It wouldn’t have taken much and she could have spared bisexual people yet another disappointment and awful representation.

However, I quite liked how the “coming out” of Mor was handled. As I said before, she seems the only character whose coming out was tough, but it made sense if you’ve read it. I’m not sure if it continued to make sense for five hundred years, and I’m really sad because she treats poor Azriel like shit because she can’t bring herself to being honest with him. The thing is, I don’t have to like everything she does, because I accept it as a (pretty big) character flaw. But flawed characters are my favorite kind of characters, so I still really like her. I think it’s pretty clear that SJM changed Mor’s sexuality between ACOMAF and ACOWAR to adapt to her readers’ demand, so I applaud her for that. I also like that it’s Mor, who is always portrayed as very feminine, to be the one who likes girls more than guys. A lot of people complained that it should have been Amren “because of her physical features”. People, do you even think before you speak/write? Geez.
(Also, I’ve seen someone confused about Mor’s exact labels… I think the terms that would best apply to her would be “bisexual homoromantic”, in case anyone was wondering and/or identifies with Mor’s sexuality but didn’t know the exact words for it. Of course, this is what I got from reading it, but I think it should be pretty accurate.)

“I’m so pissed!!!1! My ship sunk because one character is on the LGBT+ spectrum!!!1!1!!!”
🙂 deal 🙂 with 🙂 it 🙂
Do you know how many ships sink daily because a character is (or usually both characters are) straight? Yeah. So just be sad but don’t take it out on the LGBT+ representation or on the bi character.

 

Well that was long. It seems that I can either post no reviews at all or one really long-ass one with no in-between.

Anyway, I’d love to hear everyone’s opinion on this book, especially regarding the discussion part!

ARC review: Flame in the Mist by Renee Ahdieh

I was provided an early copy of this by Netgalley but all opinions are my own.

23308087
★★✩✩

I really liked some parts but other ones either didn’t make any sense or they were just boring. The only reason I hurried to finish this was so I could be free to read something else and because being in a BR I felt motivated to keep up with my BR partner, but most of the time all I wanted to do was…basically anything that wasn’t reading this.

It was a story with so much potential that I can’t help but feel really sad and disappointed because some things were very poorly executed in my opinion.

Let’s start with Mariko’s character. We’re told she is really smart and clever, and within the book she “invents” shuriken, grenades (?) and possibly other things that I was too confused to really get, but we actually aren’t shown how intelligent she is. Ahdieh deliberately decides to have Mariko invent those things but as a reader that didn’t affect my perception of her as a rather bland character, and not a particularly smart at that.

From her reasons to stay with the Black Clan (so that she could…somehow save her name from “shame” in her family’s eyes…by camping with a group of men…mmh okaaay?) to her acceptance of things that she should probably have questioned (the animal in the forest?), she did not read like a very smart character.

She only shines with a couple of important quotes, but those aren’t enough to make me love the book (or her character as a whole). Still, it’s important for younger readers to see these messages in a book.

I will not be bandied about by men any longer. I am not a prize to be bought or sold.

Was is always necessary for boys to prove they knew more than anyone else around them?

She remembered Chiyo telling her that finding one’s match was like finding one’s other half. Mariko had never understood the notion. She was not a half. She was wholly her own.

Something else I liked was how the other few female characters were portrayed.

Mariko nudged the handle of her spoon with a bound fingertip. “Are you ever angry you were born a woman?”
Yumi sat back on her heels and studied Mariko for a spell. “I’ve never been angry to have been born a woman. There have been times I’ve been angry at how the world treats us, but I see being a woman as a challenge I must fight. Like being born under a stormy sky. Some people are lucky enough to be born on a bright summer’s day. Maybe we were born under clouds. No wind. No rain. Just a mountain of clouds we must climb each morning so that we may see the sun.”

Among the many things I would have liked to see, was Mariko and Kenshin’s relationship. Siblings’ relationships are one of the things I most enjoy reading about since I’m an only child, and since Mariko and Kenshin are twins I was hoping to get a lot of their relationship. Even though they don’t really interact in the book since they are separated, we get a few hints of how their relationship and their differences might be, but not enough to make me feel whether or not they have a strong bond or not. So this is another reason why I’m disappointed in this book. I’m sure it will be explored more in the second book, but I wish it had been built earlier on.

Another thing that completely failed in my eyes (and it was probably the worst aspect of this book for me) is the romance. At first, I didn’t see who the romance was going to be about. I had some ideas and I was wrong about my first thoughts (don’t worry though, there’s no love triangle). I was actually hoping that for once there would be no romance (even though I’m a sucker for it), because I didn’t really ship anyone. Well,that’s not entirely true, since I did ship a couple that ended up being just a brotp.

(I haven’t seen anyone complain about Ahdieh’s lack of LGBT+ portrayal even though there was none in this or, as far as I remember, in TWATD. I’d be interested to know why we only “attack” certain authors but not others for this, but that’s a discussion that I don’t feel like having in a review)

Anyway, there was no romance for most part of this book, and then it just…was there. And I didn’t feel it. Not only was I not given time to ship it, it also felt boring and I didn’t like how it suddenly happened.

The romance and the discovery of Mariko’s gender are two things that go hand in hand in the book, and it’s something that bothered me endlessly. The way Mariko was finally found out was so over-used and unimaginative that I just couldn’t believe my eyes. There was a lot of potential there and it just vanished within half a scene. I’m so disappointed and pissed. I’d say more but without the option to hide spoilers I don’t want to, though you can read this review on goodreads if you want to open that spoiler tag.

Reading the rest of the romantic plot I felt like I had to turn a blind eye to the fact that I hated the way it developed. Again, there were a couple more nice quotes,

“You are first and foremost a person. A reckless, foolish person, but a person nonetheless. If I ever say you are not permitted to do something, rest assured that the last reason I would ever say so would be because you are a girl.”

but I never loved it.

The world building felt quite genuine (although many Japanese terms were used without an explanation – at least not in the ARC version. I think the published book will have some sort of summary at the end like TWATD) but I didn’t get the use of the magic. It was very similar in this to TWATD but it bothered me more. We’re shown a glimpse of magic that is never explained and just confused me. I’m sure it will be explored more in the next book but I don’t like this approach.

I think it’s still worth to give this book a try if you loved TWATD. I might request the ARC of the next book whenever it’s on Netgalley but I don’t think I’ll be purchasing it with my money.

Cover reveal + ARC Giveaway: The Dragons of Nova by Elise Kova

Today Elise Kova and Rockstar Book Tours are revealing the cover for THE DRAGONS OF NOVA, which releases July 11, 2017!
Check out the gorgeous cover and enter to win assigned ARC of the book!!
On to the reveal! 
 
 
Title: THE
DRAGONS OF NOVA (Loom Saga #2)
Author: Elise Kova
Pub. Date: July 11, 2017
Publisher: Keymaster Press
Formats: Hardcover,
eBook, audiobook
Pages: 488
Find it: Amazon | B&N | TBD | Goodreads
Cvareh returns home to his sky world of Nova with the genius crafter Arianna as his temperamental guest. The mercurial inventor possesses all the Xin family needs to turn the tides of a centuries-old power struggle, but the secrets she harbors must be earned with trust — hard to come by for Ari, especially when it comes to Dragons. On Nova, Ari finds herself closer to exacting vengeance against the traitor who killed everything — and everyone – she once loved. But before Ari can complete her campaign of revenge, the Crimson Court exposes her shadowed past and reveals something even more dangerous sparking between her and Cvareh.
 
While Nova is embroiled in blood sport and political games, the rebels on Loom prepare for an all-out assault on their Dragon oppressors. Florence unexpectedly finds herself at the forefront of change, as her unique blend of skills — and quick-shooting accuracy — makes her a force to be reckoned with. For the future of her world, she vows vengeance against the Dragons.
 
Before the rebellion can rise, though, the Guilds must fall.
 
Exclusive Excerpt!
“They’re coming from the front!” Nora screamed over the crescendo of the engine gaining speed. On cue, the train lurched as an endwig was splattered to a bloody mess on the point of the engine’s pilot.
 
“Bloody cogs,” Florence cursed. The Vicar Alchemist had sent her to protect the mission as the Revolver, but one of her wasn’t going to be enough. “I’m going to the engine.”
 
“What are we going to do?” The usually self-sure Nora had the face of a cornered hare.
 
“You’re going to fight.” Florence passed her a weapon.
 
“I’ve never shot a gun before.”
 
“Now is a great time to learn.”
 
“I’m an Alchemist!”
 
Seriously, Florence was a breath away from shooting the woman herself. “You’re dead if you don’t adapt! There’s three more bombs exactly like the ones you just used, right there. Just fend them off until the train gets up to speed. But don’t use any other disks.”
 
Florence had no more time to waste as the train lurched again. They just had to survive until the train reached full speed. For all the endwig were, they certainly couldn’t keep up with a locomotive.
 
She hoped.
 
The wind whipped her hair around her face as she stuck her head from the train car. Florence reached out for the ladder to the right of the door, scaling up before another endwig could emerge.
She swung up just in time as an explosion nearly blew her foot clean off.
 
“By the five guilds, you two only had three bombs!” she screamed over the wind, not knowing if they could hear. “Ration them a bit!”
 
Standing, Florence looked in horror at the tracks ahead. Dozens of endwig lined the path, running eagerly to meet the train. She loaded six canisters at once.
 
Jumping to the tender, Florence lost her footing atop the moving train car. A nail snapped clean off as she sought a grip that would prevent her from being thrown to certain death. If she fell now, she would never get back on the vessel. She’d be torn limb from limb.
 
Gritting her teeth, Florence rose to her knees, shooting two endwig in the process. She wedged herself between two grooves on the top of the tender. Blood pooled around her shins as she dug them into the metal for a grip where there was none, but she was stable enough to take aim, and that meant she could open fire.
 
Five shots down, and Florence reloaded her gun. Endwig came relentlessly like a never ending nightmare. But the train didn’t gain any more speed. She repeated the process, waiting for the vessel to be like her bullets, whizzing through the night at deadly speeds.
 
“Anders, now would be a great time to open her up!” she screamed.
 
There was no reply.
 
“Anders, Rotus, we need speed, get us out of here faster!”
 
Five long claws curled around the door of the engine in answer. Florence watched in horror as the white silhouette of an endwig, dotted in the black blood of a Chimera, pulled itself from the engine room. Florence swallowed hard.
 
They were without Rivet and Raven, stumbling through the darkness, enemies at all sides. She raised her gun slowly, looking fearlessly at the face of death itself. Her revolver was steady over the rocking of the train.
 
“You think I’m not used to this?” Her mouth curled into a mad grin. “I’ve been fighting my way out of the darkness my whole life. And you’re not going to stop me now.”
 
Gunshots echoed through the forest.
About Elise: 
Elise Kova has always had a profound
love of fantastical worlds. Somehow, she managed to focus on the real world
long enough to graduate with a Master’s in Business Administration before
crawling back under her favorite writing blanket to conceptualize her next
magic system. She currently lives in St. Petersburg, Florida, and when she is
not writing can be found playing video games, watching anime, or talking with
readers on social media. She is the USA Today bestselling author of the Air
Awakens Series as well as the Loom Saga (Keymaster, 2017).
 
 
 
 

Giveaway Details:
(1) winner will receive a signed
advanced readers copy of THE DRAGONS OF NOVA.

a Rafflecopter giveaway

#T5W: Favorite SFF Cover Art

Top Five Wednesday is a book meme that Lainey started and I discovered through the lovely Samantha‘s videos. If you’re interested you can join the goodreads group to get the topics for each week.

This week’s topic:

May 3rd: Favorite SFF Cover Art *Booktube SFF Awards Crossover Topic*
— Show off some of your favorite science fiction and fantasy cover art!

air-awakens-cover-only-7-22-sm20958632173785082330808710305156

There are many more covers that I love but these were some of my favorite off the top of my head. It’s too bad I don’t own any of them in physical form (they’re all on my kindle and Daughter of Smoke and Bone doesn’t even have that cover but I love that edition). Although I did see The Darkest Part of the Forest in a bookstore the other day and I almost bought it even though it was in Italian and I can’t guarantee I won’t go back and actually buy it since it was one of the best surprises I’ve had this year reading-wise.

Fortunately they’re also all books I loved, except for Flame in the Mist, which was just okay and I’ll review soon.

What are some of your favorite Science Fiction or Fantasy covers? And does the actual content live up to the cover?