Most Anticipated Releases (Jul-Sep 2019)

most anticipated

Today I’m sharing my most anticipated releases for the next three months, some of which I have already read thanks to having received an ARC, some other ones knowing perfectly well that I won’t manage to make them a priority for now and that’s okay.

Usually these posts end up being very long for me but I feel like this summer is being slightly more quiet (after a few very hectic release months like May and June), with the exception of some September releases that have me vibrate in anticipation whenever I think of them.

July

9th

Wilder Girls by Rory Power

16th

The Rise of Kyoshi by F.C. Lee

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August

6th

A Little Light Mischief by Cat Sebastian | review

13th

The Last Hope by Krista Ritchie and Becca Ritchie

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September

3rd

Darkdawn by Jay Kristoff

10th

Gideon the Ninth by Tamsyn Muir

How to be Remy Cameron by Julian Winters | RTC

24th

The Tyrant’s Tomb by Rick Riordan

Wayward Son by Rainbow Rowell

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What are your most anticipated books for the next few months? Is there anything I forgot and/or you think I might not know about? Let me know!

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ARC Review: The Tea Dragon Festival by Katie O’Neill

I was sent this book as an advanced copy by the publisher via NetGalley for reviewing purposes, but all opinions are my own. 

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Rinn has grown up with the Tea Dragons that inhabit their village, but stumbling across a real dragon turns out to be a different matter entirely! Aedhan is a young dragon who was appointed to protect the village but fell asleep in the forest eighty years ago. With the aid of Rinn’s adventuring uncle Erik and his partner Hesekiel, they investigate the mystery of his enchanted sleep, but Rinn’s real challenge is to help Aedhan come to terms with feeling that he cannot get back the time he has lost.

Release date: September 17th

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★★★★

What an utterly delightful story, and what a gift to the world is Katie O’Neill!

The Tea Dragon Festival is a companion-prequel to The Tea Dragon Society and it follows Rinn (they/them), who is an aspiring cook, and a Dragon (not a small tea dragon!) who’s been asleep for too long. We also see a young Erik and Hesekiel in their bounty hunters days and they’re just as cute as you might imagine if you’ve read TTDS. There’s also a side character who uses Sign Language and the whole village has learned SL because of her and it’s like, no big deal to them and it was so endearing to see.

As always the author has created a rich and inclusive world that radiates the positivity we so desperately need sometimes with escapism nowadays. This is both great for a younger audience and for everyone else who’s just looking to read a wonderful diverse story and look at seriously cute art. I can’t recommend it enough!

Review: Never-Contented Things by Sarah Porter

I was sent this book as an advanced copy by the publisher via NetGalley for reviewing purposes, but all opinions are my own. 

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I’m willingly not sharing the official summary of this book because I found it super misleading.

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★★★★.5✩

This book’s biggest flaw was the way it was marketed.

First things first, I loved this book. I think it might have been a 5 stars under slightly different circumstances, and if I can ever bring myself to read it again I think I will be able to give this the 5 stars it probably deserves.

Before we get into what it did right and why I liked it, let me once again do the job that the publisher* failed to do and clarify that, first of all, that blurb is totally misleading. Prince is not the protagonist of this book and he’s frankly not even that important. Fairies in this book are just a clever excuse to explore humanity, or better said, some very fucked up and ugly sides of humanity. And that brings me to my second point, which you should keep in mind before even thinking about reading this book: this is fucking dark. It’s ugly, it’s triggering, it’s maddening, and if you manage to read enough of it it has one of the most satisfying character developments and conclusion of any book I’ve ever read.

To put this on Netgalley without a single trigger warning, and especially to set it as “Read Now”, was a huge mistake and a huge disfavor to both readers and the book itself. I’m sorry if I come off as harsh but I’m not just here to review the book, if the publisher really cares about feedback I hope they will take this into consideration for the next books they put up for review.

* (hi, publisher person that will read this when I send my review through Netgalley! please don’t take this review as your cue to never approve me for your books ever, again, thank you)

This is initially a story about the codependency between two foster siblings, Josh and Ksenia. Their relationship gets about as unhealthy as you can imagine, and because for the first good chunk of the book we only get to see things through Ksenia’s eyes, our reading experience can get incredibly frustrating. If you’re someone who while reading needs to be told at any given moment, “This is wrong, btw,” then you should stay away from this book. You know it’s so, so wrong, but the book *shows* you that it is instead of telling you, because character perspective matters and that’s the whole fucking point.

As the story progresses and the codependency slides pretty heavily into abuse, you get a different, healthier POV. And thank god, because reading Lexi’s POV chapters are like emerging to finally take a breath after being held under water by Ksenia and Josh. And still it’s a while before things can get better, because they need to get worse first.

What truly struck me about this book were two things: the writing, which is absolutely stunning and it completely captured me from page one, and the fact that Ksenia is given all the compassion, all the redemption, all the healing and forgiveness we usually bestow upon male characters. And I don’t know if she’s a female character, other reviewers have said she’s possibly genderqueer, although this isn’t explicit in the text, but she’s a character I feel was missing in YA, or maybe I just haven’t encountered one like her yet.

The leading theme in this book is how abuse will affect the mind and affections of a victim. How a victim is left alone, ignored, blamed even, and is left so vulnerable to the slightest hint of what they think is love. They think, this is the best I can ever hope for. This is better than it was before, so it must mean it’s all I’m worth. And sometimes things really are good, but sometimes they’re really fucking not, and Ksenia was unlucky enough to first read the definition of love from the dictionary of Josh, except Josh is a victim too and his definition of love is all wrong, too. This book does an amazing job at never victim-blaming anyone but also at showing the effects of your first, your second, your life-long abuse, because those things can’t be ignored when we talk about abuse and especially when we talk about surviving it.

Ksenia isn’t magically saved by her love for Lexi, or by Lexi’s love for her, but she’s given the tools to dig herself out of eighteen years of wrong, and that’s the most powerful message you can send readers.

There are so many other things I loved about this book. Everyone is queer (Ksenia is possibly genderqueer and attracted to multiple genders, Josh is fat, pansexual and gender non conforming, Lexi is Black and discovers her multiple-gender-attraction throughout the novel), the writing, as I said before, is absolutely beautiful and atmospheric. The faeries are seriously creepy as fuck and I loved (hated) them. The conclusion was the best one I could hope for. But seriously, the best thing of all is everything I talked about for most of my review.

Now more than ever I encourage you to read the trigger warnings and know that it’s okay if you think you can’t handle them; these aren’t things that are just mentioned in passing, they are very real in the novel and it WILL get super uncomfortable even if this stuff isn’t usually a trigger to you. But if you think you can, give this book a try because it’s so, so worth it.

Trigger Warnings: incest, codependency, abuse, sexual assault and rape, death on page, violence, body horror, parental neglect.

Discussion: who are authors writing for?

discussion

Today I want to talk about something that’s more or less always present in the background of any discussion we have in the book community.

Have you ever read a book and got the feeling “wow, this book was written for me”? I’m not talking about the genre of the book, or how the humor resonates with you, or even whether the book was written for you specifically, but more about books that feel like they’re written for a community.

This comes in many forms, and of course representation of marginalized identities is a huge part of it. The feeling I get when I read a queer book that is written in such a way that tells me the author had me and my community in their heart while writing it is something that I can’t properly describe in words, but it feels like a warm hug directly to my heart.

However, I want to be a little more specific in this post and focus on something I’ve noticed in a few books I’ve read that were, supposedly, marketed as being for certain groups of people.

I think there is a trend of books being targeted to marginalized identities that are stuck in old traditions that do nothing but harm those identities.

I genuinely believe that most of these authors are good writers that fail to see how they can break from traditions set by male white cishet authors, and in the process of writing fiction centering characters that before would have been absent or relegated to the sidelines of a book (which is great!), end up hurting the real-life people who specifically sought out that book because they knew they would be represented by it (which is…less great).

Other times, the things that are hurtful in a book are actually the result of clumsy if not downright bad writing, of writers of various degrees of experience that don’t know how to introduce conflict or tension into their plot without resolving to using those tired and hurtful tropes.

And sometimes it’s clear from the premise of the book or from their tweets that the author doesn’t care about who they’re writing for, so they end up writing messy and awful books (*COUGHS* like cis authors writing books about trans girls while misgendering them from the title and centering the narrative about a cis character who’s oh so confused by her transness *COUGHS*).

While I don’t think it’s my job to teach writers how to write, I feel it as my responsibility as a blogger and as a marginalized person who’s been hurt multiple times while reading to bring this to attention and ask myself why the first two categories of writers that I mentioned (I’m going to ignore the last one because I am a pessimist and 100% think those authors are hopeless) end up hurting their readers.

I won’t mention specific books but I will talk about real examples of books I’ve read that have hurt me, sometimes more and sometimes not enough to completely hate the book, but enough to make me still think about this aspect months later.

Curiously (but maybe not), all the books I’m going to talk about are f/f, and I think it’s not by chance that I ended up being hurt more by them. The f/f premise made me feel like I could be safe reading them and the reality of them hit me more because I had no way of bracing myself for it. 

So there was a book I ended up loving because the f/f relationship was so good and it had a lot of tropes that made it such a me book, and yet the only source of external conflict was a deeply homophobic character, which hurt more because the character was a young woman, that went out of her way to insult and hurt one of the MCs of the book, using the stereotype that queer women are predators. This served no actual purpose to the romance or the plot itself. It could have been absent or toned down a notch, and it would have stayed “realistic” but it wouldn’t have felt like literally being assaulted in my deepest fears as a queer woman myself.

(TW mention of rape)
Then there was the historical f/f romance book that started out among pirates, where one of the MCs is a woman disguised as a male pirate and the other one is a woman kidnapped by the crew of said pirates. And the constant threat of rape that she had to go through, as if her situation wasn’t bad enough since she was being held for ransom. And when I say constant threat, I’m talking about the fact that every interaction that the female pirate has with her crew mates for the first 10% of the book are graphic comments about how they (the men of the crew) want to rape the second woman, and wouldn’t she (who they assume is a he) do that too? It was so much and it was so clear that the author didn’t know how else to introduce conflict and to make us feel for the main character that I DNF’d the book with no remorse. (That’s actually the book that led me to write this whole post.)

Before that, there was also the book about and for (if you listened to what the author said) bisexual fat women, which had such disgusting biphobia (by a lesbian character!!!) and fatphobia on literally every page that my blood pressure spikes up every time I think about it. I think it’s the only book in existence that if I had a physical copy in my hands at any point in my life I think I would set it on fire and actually feel good about it, so I feel like that says a lot.

I’m pretty sure you can imagine which of these examples I believe are truly awful writing and which I believe are the authors having a hard time removing themselves from what’s considered “tradition”.

Tradition is: the queer character must be the victim of homophobia at some point in the novel. Tradition is: women in a book are under the constant threat of male violence. Tradition is: a lesbian character must make comments on not wanting to date bisexual women because of their sexual history.

I’m fucking tired of these traditions.

I think a lot of people will argue that because these things (biphobia, fatphobia, violence against women, etc) are realistic, they must be there.

I think this is a bullshit equivalence, and I think it’s time we differentiate between these things being in books purely for shock factor and these things being in books because we can’t always hide our heads in the sand and we actually need books that talk about them critically.

We have to have books that talk about and analyze, for example, rape culture and misogyny, like The Nowhere Girls by Amy Reed does (and it does it so well). We also need books where a main character has lived through something awful like rape and sexual assault and is dealing with the aftermath, or books that deal with and challenge the casual or more prominent homophobia that queer people face.

But do we really need books where you can’t go one chapter without the constant reminder of your pain and trauma as a marginalized person? I’m speaking as a cis, white, able-bodied queer woman and I’ve mentioned stuff that’s hurt me personally, but I know I can’t even begin to imagine that kind of microaggressions readers of color, aro or ace, trans readers, disabled or mentally ill readers go through.

Is the hurt you’re putting your characters through eventually going to help a similarly marginalized reader, or is it just going to serve as a reminder that some people don’t see them as, well, people?

And because I know people will ask, I do think that if we’re not careful we might end up overpolicing writers and wrongly canceling a category of books whose writers want to or have to talk about difficult topics. What I might see as something written only for shock value might actually be the only way a writer has to work through their own trauma, and it’s a book that might help a reader with the same or a similar experience.

As long as a book comes with the appropriate trigger warnings (and that’s enough material for a whole other discussion, because so few authors and publishers actually put trigger warnings in their books, and usually early reviewers end up having to do all the work, putting themselves at risk of being triggered), I think a good writer can use almost any topic if it’s done in a thoughtful and critical manner.

But even trigger warnings don’t cover the fact that some books act like sponges for all the genuinely harmful tropes that white male writers have always used in the novel genre, especially in fantasy and historical fiction, regardless of the fact that s these books are being written in the 21st century and their authors are often part of the groups that are being mistreated in the books themselves. We have internalized these tropes so deeply that we can’t think of a world where we don’t write them on page, hurting ourselves and others.

The thing is, making your books more accessible doesn’t mean restricting their target group to only the identities you’ve decided not to hurt. It just opens them up to them.

A perfect and recent example of this is The Priory of the Orange Tree by Samantha Shannon. As I read it, this thought kept surfacing in my head: “This is a book written for women.” But that’s not accurate and I would never advertise it as such in a review without the following addition: it’s a book for every gender, it’s just that if you’re a woman or perceived by society as a woman you won’t have to brace yourself for the onslaught of violence that you are probably used to seeing in epic fantasy. And frankly, if you’re a man you will probably definitely benefit from seeing that a different kind of fiction is possible and that the only thing it takes away from you is toxic masculinity.

I know we already ask a lot of marginalized authors. I know they have to work twice or ten times as hard. But I hope they realize that they have the power to completely break free of these traditions, that not all marginalized characters need to carry the weight of centuries of hurt against them, that they can and should think twice about adding a homophobic or a racist or a misogynistic throwaway comment that has no need to be there when the only effect it will have is to upset a good portion of their readers.

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This post has been at work for more than two months, meaning that I wrote it and then let it sit for, well, several weeks, then scheduled it during pride month but because I didn’t want to share anything too negative during that joyous month, I decided to postpone it until July.

I’d love to hear what everyone thinks about this topic. I particularly want you to share your experiences with books that got it right, that didn’t make you flinch, where your initial reaction was to brace yourself for bad stuff that, fortunately, never happened. 

ARC Review: A Little Light Mischief by Cat Sebastian // more F/F historical romance where women take revenge on shitty men? yes please

I was sent this book as an advanced copy by the publisher via Edelweiss for reviewing purposes, but all opinions are my own. 

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A seductive thief

Lady’s maid Molly Wilkins is done with thieving—and cheating and stabbing and all the rest of it. She’s determined to keep her hands to herself, so she really shouldn’t be tempted to seduce her employer’s prim and proper companion, Alice. But how can she resist when Alice can’t seem to keep her eyes off Molly?

Finds her own heart

For the first time in her life, Alice Stapleton has absolutely nothing to do. The only thing that seems to occupy her thoughts is a lady’s maid with a sharp tongue and a beautiful mouth. Her determination to know Molly’s secrets has her behaving in ways she never imagined as she begins to fall for the impertinent woman.

Has been stolen

When an unwelcome specter from Alice’s past shows up unexpectedly at a house party, Molly volunteers to help the only way she knows how: with a little bit of mischief.

Release date: August 6th

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★★★★✩

Historical romance is a genre I rarely read but with the recent surge of f/f historical romance I find myself more and more interested in the genre. Or maybe it’s just that I’m so starved of f/f that I’ll read it no matter the genre.

This was my first book by Cat Sebastian and after hearing great things by my friends I was maybe slightly disappointed that I couldn’t give this novella a full 5 stars, but I still enjoyed it a lot, and it did made me curious to try her full length novels.

The story follows Alice, a disowned woman, and Molly, lady’s maid and former thief. The book is quite short so things move quickly in terms of both characters realizing their attraction to each other, and what worked well is their difference in experience when it comes to attraction to other women. It was still “slow burn” enough if you keep in mind that this is a novella that has to start and end in less than 100 pages, and I really enjoyed it. There also was no relationship drama or misunderstanding/miscommunication, which I always appreciate.

The main social theme was how Alice, who comes from an abusive home, has been wrongfully disowned by her father because of, you guessed it, misogyny. And like in all the best fiction, the revenge is so, so sweet. I am personally all for f/f histrom being about badass women getting revenge on the shitty men in their lives, and this is the third f/f histrom I’ve read that follows this pattern and I have to say I don’t mind it one bit if all the other historical sapphic fiction sees not only women getting together but also overthrowing the patriarchy in small but significant ways.

In terms of what didn’t make this a 5 stars, it’s a mix of things but I feel like most of it is just this not being my comfort genre. I also felt like I could have done with a little more relationship development. I’m all for women liking each other and it not being complicated or too angsty, even in historical times. And I really did love the romance, I just think it was a little forgettable for my taste. But there was so much I loved, and it’s refreshing to see a relationship between two women where they’re certainly aware of the world they live in but they also never face homophobia on the page. Also, did I mention one of the main characters has a little daughter? I’ve never an f/f where one of them is a mom of a small kid that gets to be part of their eventual happy ending.

For those who haven’t read the rest of this series: I haven’t either and I still enjoyed it. I do feel like maybe I lacked a bit of context (both in-the-series and historical), but the book one cameo had me intrigued and curious to eventually read that book and properly meet those characters.

So overall I would say this is an excellent read both if you’re not a historical romance reader but want to read more f/f no matter the genre and if you’re used to historical fiction and are looking to read more diverse and get into some sapphic reading.

ARC Review: A Lady’s Guide to Celestial Mechanics by Olivia Waite // historical F/F goodness + women have always been present in science and art no matter what we’ve been told

I was sent this book as an advanced copy by the publisher via Edelweiss for reviewing purposes, but all opinions are my own. 

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As Lucy Muchelney watches her ex-lover’s sham of a wedding, she wishes herself anywhere else. It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.

Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.

While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?

Release date: June, 25th (today!!! it’s out!)

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★★★★★

I don’t often read historical fiction but I’ve been trying to make exceptions for queer histfic, especially when they’re f/f. And there’s a special set of emotions I go through while reading, the most unpleasant of which is the fear that something bad will happen, that will make me recoil and make me want to put down the book not because it’s not good but because of the unnecessary bad stuff (read: homophobia, transphobia, racism, violence against women, etc) that traditionally has been associated with historical fiction. It’s realistic, you say, to which I say: ✨fuck off✨

This premise just so I can talk about what it did to me to go into this book and soon realize I needed to stop bracing myself for the stuff I mentioned above, because, amazingly, it kept not coming. And there’s a lesson for histfic authors: you don’t have to pretend that historical times weren’t a cesspool of misogyny, homophobia and racism, but it’s entirely possible to write a book for the people who have historically been hurt and marginalized that focuses on the good stuff instead of on the awful. This book is proof of that.

It’s not that this book shies away from a lot of stuff including misogyny and the fact that the two women won’t ever be able to live their relationship publicly. But it’s written so delicately and carefully that as long as you know the content warnings you don’t have to be scared that things are going to get bad. In fact, things get so, so good.

This is a romance that’s certainly good and wholesome and that made me so happy. But the romance is almost secondary to the beautiful messages this book sends about art, science, and the presence and importance of women in both fields, and how this presence has always been there, whether we care to know it or not.

And, you know, this is a book about two cis, white women. But it manages to be intersectional and acknowledge issues that wouldn’t necessary touch the lives of the two main characters, in a way that makes anybody feel welcome while reading. I can’t stress enough how books like this are so important.

The relationship itself was very cute and while the MCs got together a little soon for my liking (with necessary later drama), I still liked everything about it. Catherine, the widow, had never explored her attraction to women and although she’s older than Lucy she is kind of the more inexperienced of the two. I really liked that and it was so great to see them explore consent in every scene together. There’s also a little bit of an age gap (I think it’s about 10 years, Catherine is 35 and Lucy 25), which is not something I usually love in romance, but the fact that they’re both relatively older and both have experience in love/dating, as well as their own interests and expertise made me enjoy it and not really care about the gap at all. They both had things to teach each other and they helped one other out in so many ways, not in a “love fixes everything” way but in a way where they both figured out who they want, who they deserve to be and that was so beautiful to see.

I also loved the writing style so much I actually got mad that I was reading this with a read-out-loud app because I couldn’t highlight the best quotes. But that also means I definitely want to reread it sometime when time will allow me to, because it was so atmospheric and at times poetic, I just have to sit down and read it with my own two eyes.

Sometimes the endings of romance books can seem a little weak, but not this book’s. It was actually one of the most satisfying endings ever (and I’m not only talking about the romance but the actual plot too). Everything came together so nicely and I might or might not have started bawling my eyes out while I was finishing washing the dishes because it was just THAT good.

So, if it’s not obvious, I think if you are uncertain whether to buy this book or not you should definitely go for it. If you don’t normally read historical romance, let this one be your exception. If you’re a historical romance veteran, go for it without a doubt. If you’re craving sapphic romance, this is your fix. You can thank me later and scream @ me about how good it is.

CW: misogyny, talks of homophobic mentality, mention of past nonconsensual sexual acts, mention of a dead parent

ARC Review: Shatter the Sky by Rebecca Kim Wells

I was sent this book as an advanced copy by the publisher via NetGalley for reviewing purposes, but all opinions are my own. 

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Raised among the ruins of a conquered mountain nation, Maren dreams only of sharing a quiet life with her girlfriend Kaia—until the day Kaia is abducted by the Aurati, prophetic agents of the emperor, and forced to join their ranks. Desperate to save her, Maren hatches a plan to steal one of the emperor’s coveted dragons and storm the Aurati stronghold.

If Maren is to have any hope of succeeding, she must become an apprentice to the Aromatory—the emperor’s mysterious dragon trainer. But Maren is unprepared for the dangerous secrets she uncovers: rumors of a lost prince, a brewing rebellion, and a prophecy that threatens to shatter the empire itself. Not to mention the strange dreams she’s been having about a beast deep underground…

With time running out, can Maren survive long enough to rescue Kaia from impending death? Or could it be that Maren is destined for something greater than she could have ever imagined?

Release date: July 30th

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★★★✩

An interesting worldbuilding and a perfect story for fans of The Dragon Prince, which was ultimately just a little too forgettable for me.

This book starts with a really great premise, a QPOC girl who decides to go save her girlfriend and undertakes a journey in a very interesting fantasy world with dragons that can bond to humans.

I thought the execution was okay for a debut, but if you’ve read a lot of fantasy books this will read a little too generic. The protagonist, Maren, is on a deadline to save her girlfriend, and yet we conveniently forget about the time issue for the time that it takes Maren to learn useful skills and important bits of worldbuilding and forge new friendships and relationships. Then time is suddenly relevant again and everything has to move forward rather fast. So, overall the pacing doesn’t usually bother me and it didn’t here, but it was definitely something I noticed. Some things were also very predictable, and all the foreshadowing was very obviously foreshadowing from the moment you read it and not 100 pages later when it actually became relevant. This is all just nitpicking and it’s just something you notice if you’ve read a lot of books, like I said.

Probably my favorite part of the whole book was the dragon egg that reminded me so much of The Dragon Prince, one of my favorite shows. It was really cute.

Maren is a bi girl in an already established relationship with a girl, that will be the reason for her whole quest. And here comes the part of this review that I dread to write, because it’s impossible for me not to mention it but as a bi girl I am aware of all the nuance in this. Of course, there’s a boy and Maren is like, immediately attracted to him. While still in a relationship with Kaia, her girlfriend. Think of it as you like, I personally was annoyed at this aspect of the story. There are other ways to show bisexual attraction without involving actual emotional cheating (and I use this term because it was more than just, “oh he’s so hot.”). Does it happen IRL? Of course. But maybe it’s not great in general and especially when the bisexual character is the one doing it. In any case I was mostly able to overlook it and pin it to the writer’s inexperience, I just want to warn other bisexual readers that this is something that happens.

So, would I recommend this book? I think the worldbuilding was interesting and it has a lot of potential for the rest of the series, if you can overlook some of the more debut-y aspects. I’m going to keep an eye out for the next installment if I remember, but even just a few weeks after reading it I don’t remember enough about this to really crave the sequel.